Venice, More Art, Angels and Architecture

As may have become clear, I do enjoy a good art gallery, and as well as the modern art galleries Venice also has the Galleria Accademia, where they keep all the renaissance art (and later - it covers the 14th to 18th Centuries) .

One of the first rooms you go into is in what used to be the refectory of the Scuola Grande della Carità, which is a 14th C building, and has an amazing wooden ceiling covered in cherubim. Apparently, no two faces are the same.. 

Angel Ceiling, Galleria Dell'Accademia

The gallery's collection is arranged broadly chronological, so you start with 14th and 15th Century religious art - lots of lovely Renaissance Angels and the occasional dragon.

Quite a lot of the rooms were closed when I visited, so I didn't get to see a lot of the later stuff, but I did very much enjoy the room with a series of paintings of 'The Miracles of the True Cross', by Carpaccio, Gentile Bellini,  and Mansueti.

'Miracolo della Croce caduta nel canale di San Lorenzo'- Gentile Bellini, 1500

They show meticulous pictures of Venice in the late 1400's. (Theoretically involving miracles attributable to a relic of the true cross, but really more about the people and the scenery!)

Detail from Carpaccio's 'Miracle of the Cross at the Ponte di Rialto' (1496)

There are gondolas and gondoliers and  posh Venetians, and pictures of the Rialto and on St Mark's

 'Processione in piazza San Marco' Gentile Bellin, 1496

 It's fascinating to see so many little details of Venice in 1500! 

After leaving the gallery, I found another relic of Renaissance Venice, the Scala Contarini del Bovolo, a beautiful, delicate, external spiral staircase.

It was built in around 1400, and is just lovely. 

You can climb the tower, and there are views out across Venice from the top.

The un-named (but sneaky) architect of the tower made the arches smaller on each level as the tower goes up, to make it look taller than it really is!

This was my last full day, so I then spent some time just wandering around and enjoying the sights.

..and the traghetto, and the canals.

I admired the beautifully decorated gondolas 'parked' outside the guesthouse I was staying at, and generally drank in the atmosphere.

It  was all rather nice.

The following morning I had a little time to wander around again before catching the boat back to the airport to fly home.

It was a lovely sunny morning, which made it harder to leave, but at least the trip across the lagoon was pleasant!

Treasures from the Wreck of the 'Unbelievable'

A couple of weeks before I went to Venice, I saw a review for Treasures from the Wreck of the Unbelievable' , the new exhibition of works by Damien Hirst.

It seemed intriguing, so having time, I went to see it.

The exhibition claims to be the items discovered that a wreck was discovered, in 2008, of a 2nd Century ship, full of treasures collected by a wealthy former slave. It is, of course, entirely untrue. But they have put a lot of effort into making it sound convincing.

I started in the Palazzo Grassi (the exhibition is in two locations, Palazzo Grassi and Dorgana) 

The Palazzo Grassi is a large, canalside mansion, with 3 stories surrounding a central atrium. 

Right now, the atrium is rather full of a 60' tall bronze demon (or, if you ignore the talons, a 60' tall naked headless man)

I'm not sure that it would be a decorating choice I'd make, if I ever happen to have a palace on the Grand Canal, but it's quite dramatic. And a little odd. 

As are most of the other exhibits.

I found a bust of Mazikeen. (or, 'The Skull beneath the Skin', as Mr Hirst calls her)

Then there was Andromeda and the monster, which gave more than a nod to Hirst's famous pickled sharks..

I particularly enjoyed the juxtaposition of Andromeda and the Sharks and Things with Tentacles with the lovely gilded and decorated ceiling.

There are some pieces which a cynical person might think are the tiniest bit inconsistent with an 1,800 year old shipwreck...

As you continue round the exhibition, it becomes clear that Hirst is riffing upon, a whole range of targets - the solemnity of museums and their careful speculation about artifacts, his own, and other artists' works, (I didn't realise it at the time, but even the giant naked demon is a take on William Blake's miniature painting, 'The Ghost of a Flea')

There are also takes on modern scientific research (dressed up as a claim that the mouse and the ear were parts of a giant statue of Zeus)

Some of the pieces are beautiful in their own right, such as this 'Sun Disk'

Others look more like props from a Indiana Jones film.

And some are just entertaining, like the Unicorn skulls...

I enjoyed the exhibition. I am not sure whether it is good art or not, but it is good fun, although I felt it perhaps takes itself a little too seriously. In commenting on how seriously art and museums take themselves, it seems to have fallen into the same trap. I got the impression that Hirst was having fun creating the exhibition, and I cannot help but think that the exhibition would have benefited from loosening up a little. I think adding a cocktail bar and some music would improve things.

(I think also that the exhibition is a little too big and repetitious - there are only so may fake artifacts you can see before they start looking the same..)

But over all, it is fun, and I'm glad I went.

Torcello and More

I was a little disappointed by the mosaics in St Marks, not because they are not impressive, because they are, but because it's hard to get to to see them, given how crowded the place is, so,largely for that reason, I decided to take a trip to the island of Torcello, which is, these days, very sparsely populated, but which has a cathedral which is famous for having the oldest mosaics in Venice, created in the 11th and 12th century.

My trip to the ferry stop took me via the fruit and fish markets at the Rialto, after which there was a somewhat grey ferry ride to Torcello. 

I got an early boat,and there were very few people around as I walked up from the landing stage to the cathedral. There is just one canal, which leads from the ferry quay to the village so you can't get lost, and while the landscape is not very inspiring, it it was good to be away from the city for a little while, and enjoy some peace and greenery.

I  had not realised, but there are actually 2 churches, side by side. There is the 11thC church of St Fosca, which is starkly plain and understated inside. I liked it, but there are no mosaics!

St Fosca

Then there is the Cathedral of Santa Maria Assunta, which was founded in the 7thC, although the current building was mostly built in the 11thC, with additions and repairs in the 14th 

It does have mosaics. And they are very impressive.  I was fortunate that when I arrived, there was no one else in the church, so I got to enjoy them in peace for a a short time, before others joined me!

There are images of Mary and of Christ in two of the Domes at the Eastern end of the church, but the really dramatic one is on the West wall, where there is a huge image of Judgement Day.

Cattedrale di Torcello (Basilica di Santa Maria Assunta)

I particularly enjoyed the section half way down the left hand side, showing the dead being resurrected from their graves and winding sheets,  and (for reasons which were not adequately explained) from various beasts. I liked the lions.

On the opposite side, are the damned, being cast into Hell, together with little vignettes illustrating the seven deadly sins, although I am embarrassed to admit that I am not certain which sin is which (Although I'd guess that the 3 people on the left, having a snack while standing in a fire, probably represent Gluttony...)

As well as the church, Torcello also has a tiny historical and archaeological museum, which I visited briefly.

At around this point,  a couple of school trips arrived, so I decided to leave.

Back in Venice, and after a rather tasty lunch, I found the Scuola Dalmata - also known as San Giorgio degli Schiavoni. It is one of Venice's mediaval confraternity houses (or Scuolas), and I wanted to go because, in 1502 the members arranged for the painter Carpaccio to paint a series of panels of the fraternity's patron saints, including a rather nice one of St George and the Dragon.

I should mention, perhaps, that I don't know much about medieval art, and next to nothing about Carpaccio, but I saw a picture of this panel and liked it, so I wanted to see the original.

Another panel shows George triumphantly leading the (now much smaller!) dragon into a town square.

Another of the Scuola's parton saints was St Jerome, who apparently struck up a friendship with a lion after removing a thorn from the lion's paw. 

The painting shows Jerome with the lion, together with some rather alarmed friars. I'm with the friars on this one. I am not sure that I would wish to rely , for my safety, on the gratitude of a lion...

But I did like the pictures. They have a certain charm to them which appeals to me. 

I spent the remainder of the afternoon looking at a different kind of art altogether, one which I think needs its own post.

Another post about Venice (Mostly San Marco)

The day I flew to Venice, I checked on the weather forecast for Venice, and it told me that it was due to rain pretty much constantly while I was there. It didn't, but on Wednesday it decided to fulfil the prophecy.

It turns out that rain does discourage people a little, so St Mark's Square was a lot less crowded than usual.

I'd planned to visit St Mark's, and booked a 'skip the line' ticket so I didn't have to queue in the rain, although it simply means that you join the queue inside the basilica instead of outside! 

The sheer volume of people does mean that it's  bit of a conveyor belt; you shuffle along on little fenced paths through the basilica, and can't really stop and take in the atmosphere, and not all of the mosaics are lit, all of the time, but despite this it is still pretty impressive. After walking round the church itself, you get to go upstairs, where you can visit the museum. The original horses of St Mark's are there, now. 

Cavalli di San Marco

The horses have had a long and varied history. They were created (probably) in the 2nd or 3rd C AD, (originally pulling a chariot) and were displayed at the hippodrome in Constantinople for many years, before being looted by the Venetians in 1204 (when they also got their collars, as the heads of the sculptures were removed for transport, and the collars added to cover up the join, when they were reassembled)

They then took up their posts on the facade of St Marks, in 1254. They stayed there until 1797, when Napoleon had them removed, and they spent some time in Paris, before being returned after Napoleon's defeat, and reinstated on the Basilica in 1815. They were moved inside to prevent damage from pollution, in the 1980s, and the ones outside are now copies.

I hadn't appreciated how old they were, until I read about them in the museum! 

The museum also give you the chance to see some of the mosaics up close, and to look down into the church.

And of course there is also the chance to go out onto the loggia and look down into St Mark's Square, and out to the lagoon.

(That line of umbrellas are over all the people queuing to get into the basilica, an excellent reason to use the skip-the-line service!)

On the way out, are the best views of some of the mosaics, and they seem more relaxed about you taking photos of them, in the porch. They are very impressive!

I spent the afternoon mostly admiring modern art, as I visited both the Ca' Pesaro museum of modern art, and the Peggy Guggenheim Collection.

My favourite piece in the Ca' Pesaro museum was their Klimt, Salome, although I also enjoyed the Kandinskys and the Rodins.   Not to mention the views out over the Grand Canal.

The same building also houses the Oriental Art museum, which has some rather lovely netsuke, and Japanese screen, and also an amazing Chinese Ivory chess set, which reminded me of the one which Lord Peter Whimsey buys as a gift for Harriet Vane in Gaudy Night..

Then there's the Peggy Guggenheim Collection , with more Kandinskys, plus Man Ray, Jackson Pollock, Picasso and Dali, not to mention a sculpture garden with pieces from Moore, Hepworth, Anish Kapoor and others. Even in the rain it is well worth exploring! 

Despite being distinctly soggy by this point, I did stop off with some other rubber-neckers, on the Ponte d'Accademia to watch another piece of artwork being delivered or installed. I hadn't really thought much about how the lack of roads or trucks would affect that kind of thing - there must be a whole extra set of challenges when even your cranes need to be on barges...

Venice, Or What I Did on My Holiday, Part 2

One of the things many visitors to Venice do is to go up the Campanile of St Mark's, to see the views over the city. However, you have to queue, and the queues are long. I don't like to queue.

So, instead, I decided to get the ferry across to San Giorgio Maggiore, which *also* has a Campanile with great views, and which seems to be a little of the beaten track, so far as crowds are concerned. Plus, bonus boat ride!

There are nice views back across to St Mark's, from the boat.

When I got to San Giorgio, it was still closed (there does seem to be a certain unreliability about information places provided regarding opening hours, but there are worse things than pottering around a marina and looking at Venice in the sunshine!)

But being early did mean that when I went up the tower (there is the luxury of a lift) there were only 2 other people up there. And some bells. The views are pretty great.

It turns out also that 25th April is the feast day of St Mark, and St Mark is pretty popular in Venice.From the campanile I could hear the brass bands in St Mark's Square.

After leaving San Giorgio I decided, on a whim, to go to Murano, another of the islands, famous for its glass-making.

The Beast from the Lagoon

There is a glass museum, which has some interesting exhibits. I liked the sculpture garden, where I found the creature from the lagoon, and some glass cuttlefish (or maybe squid).

Glass Squid (or Cuttlefish) : Murano

The museum also has displays showing the history and development of glassmaking in Venice . I ave to admit that Murano glass doesn't actually do a whole lot for me, but the museum was interesting, and some of the exhibits are pretty impressive. I mean, I'm not entirely sure why anyone would want a glass trumpet or a glass celestial globe, but it's quite impressive that people are making them...

Mosaic peacocks, Chiesa dei Santi Maria e Donato, Murano

After the museum I visited the church of Saints Maria and Donato, which is one of the oldest churches in Venice. St Donato apparently killed a dragon, and brought the bones with him to this church, where they are displayed behind the alter. It would be churlish to suggest that they look a lot like whale bones..

The church also house some rather nice 12th Century mosaics on the floor, including  a very nice pair of peacocks.

Back in Venice itself, I spent some more time exploring the quieter streets, and came upon the Ponte del Chiodo, the bridge without parapets. Apparently, originally, none of the bridges in Venice had parapets, but this is the only one left in the city itself (there's another on Torcello) 

I ended up back at St. Mark's again. There was still a lot of celebrating going on. I'm not a big fan of crowds or crowded places, but it was all very good tempered and non-threatening. 

There were also nuns selling red roses - apparently it s a tradition, that Venetian men give roses to their wives or girlfriends, a rose on St Mark's day, so the nuns sell them on behalf of the Red Cross.

Museo Correr

I  spent the evening visiting the Museo Correr, which is at the far end of St Mark's Square from the Basilica. It is, as you can see, another subtle and understated building!

 

It was originally built in the 1620s and then updated and extended under Napoleon, who wanted a suitable palace for his brother-in-law. 

The museum has a collection of Canova sculptures, and also some beautiful 17thC globes, with little painting of ships to decorate all the oceans.  The building also houses the city's archaeological museum, so there are some Roman sculptures and Egyptian sarcophagi, as well as the more modern stuff, and a whole suite of rules decorated in the 18th Century with images inspired by Pompeii.

I finished the evening with a stroll down to the Rialto to enjoy the views over the Grand Canal in the dark.

It was a good day.