Showing posts with label San Marco. Show all posts
Showing posts with label San Marco. Show all posts

Monday, 8 May 2017

Another post about Venice (Mostly San Marco)

The day I flew to Venice, I checked on the weather forecast for Venice, and it told me that it was due to rain pretty much constantly while I was there. It didn't, but on Wednesday it decided to fulfil the prophecy.



It turns out that rain does discourage people a little, so St Mark's Square was a lot less crowded than usual.



I'd planned to visit St Mark's, and booked a 'skip the line' ticket so I didn't have to queue in the rain, although it simply means that you join the queue inside the basilica instead of outside! 

The sheer volume of people does mean that it's  bit of a conveyor belt; you shuffle along on little fenced paths through the basilica, and can't really stop and take in the atmosphere, and not all of the mosaics are lit, all of the time, but despite this it is still pretty impressive. After walking round the church itself, you get to go upstairs, where you can visit the museum. The original horses of St Mark's are there, now. 


Cavalli di San Marco

The horses have had a long and varied history. They were created (probably) in the 2nd or 3rd C AD, (originally pulling a chariot) and were displayed at the hippodrome in Constantinople for many years, before being looted by the Venetians in 1204 (when they also got their collars, as the heads of the sculptures were removed for transport, and the collars added to cover up the join, when they were reassembled)

They then took up their posts on the facade of St Marks, in 1254. They stayed there until 1797, when Napoleon had them removed, and they spent some time in Paris, before being returned after Napoleon's defeat, and reinstated on the Basilica in 1815. They were moved inside to prevent damage from pollution, in the 1980s, and the ones outside are now copies.




I hadn't appreciated how old they were, until I read about them in the museum! 

The museum also give you the chance to see some of the mosaics up close, and to look down into the church.



And of course there is also the chance to go out onto the loggia and look down into St Mark's Square, and out to the lagoon.


(That line of umbrellas are over all the people queuing to get into the basilica, an excellent reason to use the skip-the-line service!)

On the way out, are the best views of some of the mosaics, and they seem more relaxed about you taking photos of them, in the porch. They are very impressive!



I spent the afternoon mostly admiring modern art, as I visited both the Ca' Pesaro museum of modern art, and the Peggy Guggenheim Collection.



My favourite piece in the Ca' Pesaro museum was their Klimt, Salome, although I also enjoyed the Kandinskys and the Rodins.   Not to mention the views out over the Grand Canal.




The same building also houses the Oriental Art museum, which has some rather lovely netsuke, and Japanese screen, and also an amazing Chinese Ivory chess set, which reminded me of the one which Lord Peter Whimsey buys as a gift for Harriet Vane in Gaudy Night..



Then there's the Peggy Guggenheim Collection , with more Kandinskys, plus Man Ray, Jackson Pollock, Picasso and Dali, not to mention a sculpture garden with pieces from Moore, Hepworth, Anish Kapoor and others. Even in the rain it is well worth exploring! 



Despite being distinctly soggy by this point, I did stop off with some other rubber-neckers, on the Ponte d'Accademia to watch another piece of artwork being delivered or installed. I hadn't really thought much about how the lack of roads or trucks would affect that kind of thing - there must be a whole extra set of challenges when even your cranes need to be on barges...

Sunday, 7 May 2017

Venice, Or What I Did on My Holiday, Part 2

One of the things many visitors to Venice do is to go up the Campanile of St Mark's, to see the views over the city. However, you have to queue, and the queues are long. I don't like to queue.

So, instead, I decided to get the ferry across to San Giorgio Maggiore, which *also* has a Campanile with great views, and which seems to be a little of the beaten track, so far as crowds are concerned. Plus, bonus boat ride!



There are nice views back across to St Mark's, from the boat.


When I got to San Giorgio, it was still closed (there does seem to be a certain unreliability about information places provided regarding opening hours, but there are worse things than pottering around a marina and looking at Venice in the sunshine!)


But being early did mean that when I went up the tower (there is the luxury of a lift) there were only 2 other people up there. And some bells. The views are pretty great.


It turns out also that 25th April is the feast day of St Mark, and St Mark is pretty popular in Venice.From the campanile I could hear the brass bands in St Mark's Square.

After leaving San Giorgio I decided, on a whim, to go to Murano, another of the islands, famous for its glass-making.

The Beast from the Lagoon
There is a glass museum, which has some interesting exhibits. I liked the sculpture garden, where I found the creature from the lagoon, and some glass cuttlefish (or maybe squid).

Glass Squid (or Cuttlefish) : Murano
The museum also has displays showing the history and development of glassmaking in Venice . I ave to admit that Murano glass doesn't actually do a whole lot for me, but the museum was interesting, and some of the exhibits are pretty impressive. I mean, I'm not entirely sure why anyone would want a glass trumpet or a glass celestial globe, but it's quite impressive that people are making them...

Mosaic peacocks, Chiesa dei Santi Maria e Donato, Murano
After the museum I visited the church of Saints Maria and Donato, which is one of the oldest churches in Venice. St Donato apparently killed a dragon, and brought the bones with him to this church, where they are displayed behind the alter. It would be churlish to suggest that they look a lot like whale bones..

The church also house some rather nice 12th Century mosaics on the floor, including  a very nice pair of peacocks.


Back in Venice itself, I spent some more time exploring the quieter streets, and came upon the Ponte del Chiodo, the bridge without parapets. Apparently, originally, none of the bridges in Venice had parapets, but this is the only one left in the city itself (there's another on Torcello) 


I ended up back at St. Mark's again. There was still a lot of celebrating going on. I'm not a big fan of crowds or crowded places, but it was all very good tempered and non-threatening. 



There were also nuns selling red roses - apparently it s a tradition, that Venetian men give roses to their wives or girlfriends, a rose on St Mark's day, so the nuns sell them on behalf of the Red Cross.

Museo Correr
 spent the evening visiting the Museo Correr, which is at the far end of St Mark's Square from the Basilica. It is, as you can see, another subtle and understated building!


 

It was originally built in the 1620s and then updated and extended under Napoleon, who wanted a suitable palace for his brother-in-law. 


The museum has a collection of Canova sculptures, and also some beautiful 17thC globes, with little painting of ships to decorate all the oceans.  The building also houses the city's archaeological museum, so there are some Roman sculptures and Egyptian sarcophagi, as well as the more modern stuff, and a whole suite of rules decorated in the 18th Century with images inspired by Pompeii.


I finished the evening with a stroll down to the Rialto to enjoy the views over the Grand Canal in the dark.

It was a good day.