Showing posts with label The Ocean at the end of the Lane. Show all posts
Showing posts with label The Ocean at the end of the Lane. Show all posts

Wednesday, 16 February 2022

The Ocean At The End of the Lane - Duke of York's Theatre


Back in December 2019, I got to see the stage adaptation of Neil Gaiman's The Ocean at the End of the Lane, at the Dorfman at the National Theatre, and it was extraordinarily good (I ended up seeing it 3 times), so when I heard that it was transferring for a longer London run I suggested to my cousin, A, that she and her boys might like it, and we arranged to go together. Then, of course, or tickets.

Since the tickets we originally had were for January 2021, ended up being a longer wait than anticipated, but we finally got to go, almost exactly a year to the day after our original date - and it was worth the wait.

The Duke of York's is larger than the Dorfman, but the play still manages to feel intimate, and immediate, and the Hunger Birds are still terrifying! 

And, even though I have seen it before, I was still almost in tears at the end.

It's beautifully staged, and the story is such a poignant , heartbreaking evocation of childhood loss and fears. 

It's on until 14th May, at the Duke of York's Theatre and I do recommend that you see it, if you can. Since it is a  National Theatre  production, and one which is getting excellent reviews, I hope that they may film it for NT Live. I know that there were plans or a touring production, too, although I am not sure whether, post Covid. that's still the plan. I hope so.

Tuesday, 20 August 2013

In Which There is a Dalek

After watching Neil unveil and officially open 'his' road, I spent some time navigating the one-way systems of Portsmouth in order to park near to the Guildhall, where his evening event was taking place.
Portsmouth Guildhall
Fortunately the Guildhall is not difficult to spot!
The Guildhall has a handy, and surprisingly affordable 'VIP' option which lets you sit inside eating cheese and biscuits and drinking wine, rather than queueing outside, which made for a relaxed start to the evening, with my new friend Kelly. (I do like meeting new people, especially at Neil's events when all the people are so interesting!).

Once inside the auditorium, however, the relaxed atmosphere was slightly marred by an unexpected extra guest on stage...
Mercifully, we made it through  the evening without anyone being Exterminated, although I feel that the fact that Portsmouth Guildhall seems to have a Dalek on staff is perhaps something which should be looked into while there is still time..

Neil was interviewed by Dom Kippin, and talked a little about his roots in Portsmouth, and about the road naming, Doctor Who and Dalek mythology as the earliest mythology he learned about, and about  the the books (Make Good Art, Chu's Day) which have come out this year. He told us that Chu's Day was written out of a determination to get a picture book published in China, after being told his previous picture books were not acceptable as they showed children knowing better than their elders, being disrespectful, and at times being naughty but not being punished. He also mentioned that there is a sequel!


Neil also answered questions from the audience, giving his recommendations for reading aloud to children (Diana Wynne Jones, The Mary Poppins books, Narnia, but not E.Nesbit because of the long, Edwardian sentences..), talked about his appearances in Arthur and The Simpsons and of course about The Ocean at the End of the Lane and how although the family is not his family, and the events not true events, the viewpoint of the protagonist is very much the viewpoint of 7-year-old-Neil.

Neil finished by reading part of Fortunately, The Milk which sounds as though it will be lots of fun, and then we were all threatened with the Wrath of the Dalek if we didn't queue properly for the signing...

I was lucky enough to be seated in one of the first 2 rows to be called forward, which meant I was able to get Vol. 1 of my Absolute Sandman signed (given the 2 hour drive home, I had already decided I wouldn't be able to stay and queue for very long) and to hand over a small box of flapjacks and muffins, as the ones I made last time seemed to be appreciated (and although  didn't know it when baking the ones i took to Bath, flapjacks made from porridge oats and blackberries are particularly appropriate for The Ocean at the End of The Lane)

I got home just after midnight, which so far as I could tell when I checked twitter this morning, was probably about an hour before Neil finished signing..

Monday, 19 August 2013

In which There Is An Ocean, and a Lane.

Yesterday, I took a trip to Portsmouth, to see Neil Gaiman officially unveiling the street named after his latest novel, The Ocean at the End of the Lane.


I got there early , as I wasn't sure how long it would take me to find, or how easy it would be to find, but felt that a bit of extra time by the sea would not be a bad thing!

In fact, I didn't have too much trouble finding Canoe Lake (no canoes, but giant swan pedalos) and the lane is very close (map here )

View The Ocean at the end of The Lane in a larger map
and people quickly started to arrive. (including some gentlemen from the council who carefully covered the road sign up so it could be unveiled, and a little later  closed the road and set some chairs up for the visitors, and there was time to catch up with old friends and acquaintances and make new ones.

Neil lived near here when he was a child, and still has family in the area, many of whom had attended. There were also people who had known the family back then - there were clearly lots of people who hadn't seen one another for a while happily catching up, and I overheard one lovely, elderly gentleman saying to his wife's friend "look at all these people, I'd no idea David's boy was famous - did you know?"  I love that he (and others) had come out because it was "David's boy" or a former neighbour who was being honoured, and not just because he is a famous writer!

Then Neil arrived, together with the Lord Mayor of Portsmouth, Lynne Stagg (who, to my disappointment was not wearing her full ceremonial robes) and Sam Cox, Portsmouth's Poet Laureate.

Happy Neil about to unveil his road
The Lord Mayor introduced Neil, linking him with other literary figures who lived in Portsmouth (Dickens,  Conan-Doyle, Kipling) and then Neil gave a short speech, and unveiled the road.(there is an audio recording of Neil's speech here ) and we heard 2 poems from Sam Cox.

After the unveiling, Neil stayed around and chatted and had pictures taken. Someone gave Neil a Cornetto, which he managed to eat while making polite conversation and giving an interview to the local Jewish newspaper, someone else, (or possibly the same someone,) got him to sign a giant model cactus, and everyone appeared to be enjoying themselves.
(with thanks to the lovely chap who took this for me, whose name I didn't catch)
And as you can see, the weather was lovely - they'd forecast rain showers, but it stayed bright and sunny (albeit rather breezy) for the whole of the event.

A really enjoyable afternoon. And the evening still to come...

Monday, 17 June 2013

'The Ocean at the End of the Lane' - A Review

I already blogged about Neil’s event for the launch of ‘The Ocean at the End of the Lane’  but I’ve now had the opportunity of actually reading the book.


It’s a very good book. In fact, I think it is a great book.

It captures and recalls the feeling of childhood extraordinarily vividly – the impotence in the face of adult power, the fears and joys.  And the fact that one can be content without being happy.

“I was not happy as a child, although from time to time I was  content. I lived in books more than I lived anywhere else”

The narrator is touchingly vulnerable. At seven, he recalls, he learned to climb down drainpipes because that’s what children in books did, and took courage from the example of the plucky school girls he read about in school stories. But he was afraid, doing it.

And later, he learns that the adults are not as confident and powerful as they appear to us, when we are children;

Grown-ups don’t look like Grown-ups on the inside, either. Outside, they’re big and thoughtless and they always know what they’re doing. Inside, they look just like they always have”

This is a Gaiman book, so it’s no surprise that there is magic and myth;  Names, (true names) are important, and the triumvirate of the Hempstock women are undoubtedly related to the triple goddess of maiden, mother and crone.

There are no safe, happy endings here, but there is hope. (And grief, and memories,  and sacrifice, and fear, and love) And there is comfort, too.

“  ‘And did I pass?’
The face of the old women on my right was unreadable in the gathering dusk. On my left, the younger woman said
 ‘You don’t pass or fail at being a person, dear’.”

This is not a book to read once. It’s a book to read again, and again. I read it on Sunday morning, and my immediate reaction then (compressed into a single tweet) was “
I have just finished reading 'Ocean'. It is beautiful and wise and made me cry and thank you. And now I shall read it again.” And I think that still summarises who I feel about it.

Anyone who has any memory of what it is like to be a child will, I think, find that it resonates with those memories. And perhaps it will remind those who don’t remember, what it is like.

Thank you, Neil.

(The book can be bought here, or from your local book shop)

Sunday, 16 June 2013

The Ocean at The End of the Lane

This weekend is simply stuffed with good things.

Those of you who've known me for a while know I'm a big fan of Neil Gaiman's, so I've been very excited about his new novel, The Ocean at the End of The Lane, which officially comes out on Tuesday. I was even more excited when I learned that the first of Neil's events was to be in Bath, and that several of my friends would be coming to see him, so I'd get to spend time with friends as well as hearing Neil speak, and getting a new Gaiman novel. What could be better?

I spent part of Friday morning baking flapjacks, with honey and blackberries and seeds (of which more later) and ventured into Bath around 4p.m. in order to meet up with Nathalie, who came all the way from Rome for the event. Given that the doors to the Forum were due to open at 7.15 for Neil's event, I was a  little (but only a little) surprised to see that there were already 5 or 6 people queueing...

Nathalie and I walked up to Toppings to pick up her ticket, and met Cheryl there. We were in the queue by about 5.30, together with more friends - Anabel and Ian, Brain, Holly, and various of *their* partners and friends, so we were able to take it in turns to take breaks from the queueing to get food!

All the queueing paid off and we were all able to get seats fairly near the front at the Forum (its a re-purposed cinema. It seats 1,600 people, and I believe that Toppings sold around 1,100 tickets, so the stalls were completely full, and the last 350-400 people to arrive would have had to sit up in the balcony.

Unfortunately toppings didn't do allocated seating (which is what the Bath Literature Festival normally does for the events they have in the Forum), so there was no choice but to queue. It was worth it, though!

Neil was interviewed by a Telegraph journalist whose name I didn't catch, and there was also a Q&A session at the end.

Neil started with a short reading from the book; it was a very funny passage, right up to the point the corpse was discovered. Then he spoke a little about where it came from (the story, not the corpse) - it started as a short story for Amanda, It became a novella, then a novel.

The protagonist is a child who is sort-of-but-not-really-Neil-as-a-boy, and the landscape the book is set in is the landscape of Neil's childhood, although it is not an autobiography. It is, Neil says, Lies. But they are lies which tell us truths.

Neil talked about the Hempstock's farm, explaining that when he was a child, he heard about one of the local farms having been mentioned  Domesday Book, and, at that time, didn't think about people living there in huts, but assumed that the red-brick farmhouse had been there for a thousand years..

And that by the time he came to write the book, the idea that the farm, and the family, had been there forever was entirely at home in his head.

Neil signing
I love the fact that whenever I see Neil speak I learn new things - this time it was more about the Infancy Gospels - the (now apocryphal) gospels which cover the childhood of Jesus, and his habit of killing people who annoyed him. (sometimes they were just struck blind, but mostly they died). Neil was talking about myths and stories and religion..

Also about how people who write Horror are the moth cheerful, happy people around (and that Joe Hill may in fact be a clone)

We learned that the American Gods production is working its way up the echelons of HBO, and may very soon get to the level of the people who can say "yes" or "no" to the production going ahead; that there is nothing at all that Neil can talk about, regarding any possible Good Omens film at the moment.

Neil unsurprisingly confirmed that he would be happy to see a female Doctor Who ("given that I'm the person who made it canon that Time Lords can change sex..."

He was asked about his favourite myths - which he said changes, but he always comes back to the Norse gods, because they're doomed, and about writers who have influenced him - Alan Moore (by showing that you can do the things people tell you can't do) Jonathan Carroll, Gene Wolfe, and Diana Wynne Jones (which last did not surprise me, but did make my heart happy, as I think everyone should know about Diana Wynne Jones, and read her books)

After the Q&A came the signing. We were lucky to be near the front of the queue, so got to meet Neil and get our books signed early on.  And I gave Neil some of the flapjacks I baked in the morning (I trust you have not forgotten the flapjacks, O best beloveds) because I worry about him keeling over from loss of sustenance.

And some of the party may have got hugs and kisses, because that's how these things go, sometimes.

Then while we waited for the rest of the party I took the big box of cookies which I brought with me to share with the queue, and, well, shared them with the queue. Or at least parts of it.

The Signing queue (which also extended out into the lobby)
I didn't bring 1,100 cookies, because that would be impractical. But I met lots of nice people, briefly, including an old school friend I have not seen for almost 20 years, and I got lots of thanks and one marriage proposal, which I think is a pretty good return on a box of cookies. Even if it is a big box.

We left the hall at about 11p.m, and went for drinks and conversation in the Raven pub.

When we went past the Forum on the way back to the car at midnight, it was clear from the stream of people coming out of the building that Neil was still signing inside.

I gather that he didn't finish until 1.30 a.m. (having arrived some time around 7, after a day of interviews and editing, and having pre-signed 1,000 books before the event started...

And just before I fell asleep, I checked twitter and saw this tweet ->
Which made me happy.

It was a wonderful evening. Although I do now need to reorganise my bookshelves, as my Neil Gaiman shelf is full!

And Neil of course went on to do it all all over again the next day, in Cambridge.