I am glad that I am on the mailing list for Topping of Bath, otherwise I would not have known that Philip Pullman was going to be in Bath, as part of the publicity for his new book, Daemon Voices: Essays on Storytelling.
As it was, I got to go along to listen as Philip Pullman talked with John McLay, about story-telling, and writing - Pullman said that he thought about telling stories, not about being a writer or a story teller - he started telling stories to others, including his younger brother, when he was very young, sometimes retelling things he had read or heard, other times making stuff up, and that at some point he then realised that people who write books get paid to do so...
He talked about the idea of a story as a path through the woods, which is one used on several of his essays; the path may interact with many other paths, other stories and other versions of the same story. He gave the example of his story I was a rat! which is a path which touches the 'path' of cinderella . . but went on to say that you can't give people a required reading list before they read your work, so you can't be sure whether or not people will recognise the 'paths' which cross with yours.
He also lauded the benefits of habit for a writer. His ow practice is to write 2 pages a day - if your sentance ends on the top of page three you've 'won' for the day, and if you make it a habit it gets harder *not* to write. His comment was that more books are written out of habit than talent, and that if you work, ad work, and try, and fail, and try and work more, you get somewhere, and then the reward is to be described as a 'born story teller'!
He spoke, a little later, about how writing is a dictatorship, but reading is a democracy - each reader has their own talents, understanding and expectations, and that the writer's view about what it means is no more or less valid than that of any reader.
He talked about research, and how the knowledge and familiarity with the writing of others feeds into his own, commenting on how surprised he always is when teaching writing courses, and finding how little (some) of the students read, and how many don't have much familiarity with (for instance) poetry.He spoke about how important this had been to him, and what a deep impression poems heard and learned early in life had on him, and that he felt that one has to know in order to create - he was passionate about the benefits of knowing stories, or poems well, and being able to tell, rather than simply to read, them, to children.
The question of religion came up. Pullman described himself as a 'Cultural Christian', having been brought up with regular churchgoing (his maternal grandfather was an Anglican priest). He spoke about how religion is about asking big, important questions, about where we come from, whether there is anything after death and so forth, and that those questions are an important part of being human.
He was also very clear that he doesn't dislike or disapprove of or disparage people who are religious: But what he is wary of is religious bodies or organisations gaining political power - it always ends badly, whether it results in the Spanish Inquisition, Blasphemy trials and witch hunts, or whether it results in the Taliban (Or the current situation in Rohingya)
In the Q and A section of the event he was asked about the proposed cuts to libraries in Bath, and gave a passionate response, saying that it is a National disgrace that libraries are being defunded. "Libraries are such a gift from a nation to its citizens, and politicians who allow it to be taken away should be pilloried..A nation which provides free books is one not afraid of its citizens".
It was a very interesting event, and at the end, I did wait and got my copy of 'L Belle Sauvage' signed.
Showing posts with label Authors. Show all posts
Showing posts with label Authors. Show all posts
Thursday, 9 November 2017
Saturday, 4 October 2014
Garth Nix and Joe Abercrombie at the Bath Kids Lit. Festival
I was back in Bath this evening for an interview with Joe Abercrombie and Garth Nix (conducted by John McLay, who is the festival director)
I have seen Joe a few times before, at Bristol Con, although I have not got around to reading any of his work, yet.
I love Garth Nix's work, and 'Old Kingdom' books in particular, so I was very excited to hear he has written a prequel to the existing trilogy, Clariel, (which officially comes out next week, but which was available at the event, so naturally I bought a copy!)
The event was a lot of fun, both Garth and Joe appeared to be enjoying themselves, and to be interested in the questions being asked.
Garth mentioned having recently rediscovered his first ever 'book' written when he was 8 or 9, leading to questions about whether either agreed with the proposition that a writer ought to throw away their first two or three books.Joe did not agree, commenting that as his first 3 books books are his trilogy, throwing them away without trying t get them published would have been a bit of a waste!
Garth was kind enough to share the golden rule of getting stuff published (you have to finish things - finishing stuff doesn't guarantee you'll be published, but not finishing pretty much guarantees you won't get published!)
| Garth Nix and Joe Abercrombie |
I have seen Joe a few times before, at Bristol Con, although I have not got around to reading any of his work, yet.
I love Garth Nix's work, and 'Old Kingdom' books in particular, so I was very excited to hear he has written a prequel to the existing trilogy, Clariel, (which officially comes out next week, but which was available at the event, so naturally I bought a copy!)
The event was a lot of fun, both Garth and Joe appeared to be enjoying themselves, and to be interested in the questions being asked.
Garth mentioned having recently rediscovered his first ever 'book' written when he was 8 or 9, leading to questions about whether either agreed with the proposition that a writer ought to throw away their first two or three books.Joe did not agree, commenting that as his first 3 books books are his trilogy, throwing them away without trying t get them published would have been a bit of a waste!
Garth was kind enough to share the golden rule of getting stuff published (you have to finish things - finishing stuff doesn't guarantee you'll be published, but not finishing pretty much guarantees you won't get published!)
Sunday, 2 March 2014
Jennifer Saunders at the Bath Lit. Fest.
One of the things enjoy about living here is the proximity to Bath, and the chance to enjoy the Bath festival of Literature every March, and the Bath Festival of Children's Literature every September.
This years BathLitFest started on Friday, and Saturday morning saw me heading into the city to see Jennifer Saunders, talking about her autobiography, 'Bonkers'.
As might be expected of a comedian, she was a very funny and entertaining speaker. She talked about her background, growing up as an air-force child, moving around the country, and of her childhood ambitions to become a three-day eventer.
She dismissed the suggestion that she and Dawn French didn't initially get on, commenting that they simply didn't know one another to start with, when they first met at college.
She spoke a good deal about her habit of procrastinating, describing the increasingly implausible excuses she and Ruby Wax sent to Goldie Hawn when they were supposed to be writing a film script for her - Saunders described how she was, eventually, flown to New York to finish the script, and planned to write on the lane, except, as she explains, one of the effects of having been in Absolutely Fabulous is that flight attendants all assume that she wants to be drunk on champagne all the time, and appear with glasses of champagne on every flight (and of course, she commented, they're right..!), so she arrived with the script still unwritten..
She claimed to have been effectively locked into Hawn's apartment to finish writing, and then to have been taken to see The Lion King afterwards "like a good child".
In response to questions from the audience, Saunders confirmed that she would like to do some panel shows "They have to have women on them now, it's the law!" and that she was less scared as she got older "Once you're past the menopause, you don't care. You just see them all as little boys" And that she will be hosting 'Have I Got News for You'. I shall look forward to that!
She also confirmed that she'd like to be involved in writing another musical, except for the music parts, which are tricky, that there is to be ab Fab movie, and that she feels lucky to have worked with so many friends, and to have become friends with so many people she's worked with.
It was a highly entertaining hour, (and at the end, Jennifer's whippet, Olive, came on stage with her while she signed copies of her book)
I'm not in a position to attend any other Bath Lit Fest events this year, but if I could only see one, I'm glad it was this one!
This years BathLitFest started on Friday, and Saturday morning saw me heading into the city to see Jennifer Saunders, talking about her autobiography, 'Bonkers'.
As might be expected of a comedian, she was a very funny and entertaining speaker. She talked about her background, growing up as an air-force child, moving around the country, and of her childhood ambitions to become a three-day eventer.
She dismissed the suggestion that she and Dawn French didn't initially get on, commenting that they simply didn't know one another to start with, when they first met at college.
She claimed to have been effectively locked into Hawn's apartment to finish writing, and then to have been taken to see The Lion King afterwards "like a good child".
In response to questions from the audience, Saunders confirmed that she would like to do some panel shows "They have to have women on them now, it's the law!" and that she was less scared as she got older "Once you're past the menopause, you don't care. You just see them all as little boys" And that she will be hosting 'Have I Got News for You'. I shall look forward to that!
She also confirmed that she'd like to be involved in writing another musical, except for the music parts, which are tricky, that there is to be ab Fab movie, and that she feels lucky to have worked with so many friends, and to have become friends with so many people she's worked with.
It was a highly entertaining hour, (and at the end, Jennifer's whippet, Olive, came on stage with her while she signed copies of her book)
I'm not in a position to attend any other Bath Lit Fest events this year, but if I could only see one, I'm glad it was this one!
Saturday, 15 February 2014
'The Girl With All The Gifts' - M.R.Carey
We're still having horrendous weather - yesterday we went from sunshine and rainbows, to hail, snow, rain, and sleet.Which was not a lot of fun, particularly the drive home through the sleet.

I've enjoyed all of Mike's previous work which I've read: The Lucifer and The Unwritten series' of graphic Novels, the Felix Castor novels, The City of Silk and Steel novel written with his wife and daughter, so it was pretty much a given that I would be buying this book.. I bought my copy when I picked up my tickets for the event, so I'd read about a third of it before this event.
However, the evening was a lot of fun. I went into Bath, to Toppings Book Shop, for an evening with M.R. Carey (Mike Carey) who was there to promote and read from his new novel 'The Girl With All The Gifts'
I've enjoyed all of Mike's previous work which I've read: The Lucifer and The Unwritten series' of graphic Novels, the Felix Castor novels, The City of Silk and Steel novel written with his wife and daughter, so it was pretty much a given that I would be buying this book.. I bought my copy when I picked up my tickets for the event, so I'd read about a third of it before this event.
Mike started by reading from the beginning of the book, introducing us to Melanie, a very unusual little girl, living in a very unusual situation.
After the reading Mike did a Q and A session, explaining, among other things, that the novel has its roots in a short story called 'Iphigenia in Aulis' which was written for an anthology (An Apple for the Creature) - but no two people agree on how to pronounce 'Iphigenia', and anyway the story turned out to be more about Pandora than Iphigenia.

Also there will be a 6th Felix Castor novel, but this needed to be written first.
We finished off with a shorter, second reading, then Mike signed books and chatted to us, which was fun.
Since Thursday I have finished reading the book. Its very, very good. I don't want to give any spoilers, so won't provide a detailed review -but will say that it far from being your average horror novel - it is as much about the relationship between the 5 major characters, and their individual characters and histories as it is about the apocalyptic world in which it is set. If you like your horror thoughtful and thought-provoking, and if you enjoyed 'Let the Right One In', theni think you will enjoy this one.
As an added bonus, I was able to meet up with @TazorTam at the event, and we moved on from toppings to The Raven for a drink and a catch up, after the event, which rounded off a very enjoyable evening beautifully.
After the reading Mike did a Q and A session, explaining, among other things, that the novel has its roots in a short story called 'Iphigenia in Aulis' which was written for an anthology (An Apple for the Creature) - but no two people agree on how to pronounce 'Iphigenia', and anyway the story turned out to be more about Pandora than Iphigenia.

Also there will be a 6th Felix Castor novel, but this needed to be written first.
We finished off with a shorter, second reading, then Mike signed books and chatted to us, which was fun.
Since Thursday I have finished reading the book. Its very, very good. I don't want to give any spoilers, so won't provide a detailed review -but will say that it far from being your average horror novel - it is as much about the relationship between the 5 major characters, and their individual characters and histories as it is about the apocalyptic world in which it is set. If you like your horror thoughtful and thought-provoking, and if you enjoyed 'Let the Right One In', theni think you will enjoy this one.
As an added bonus, I was able to meet up with @TazorTam at the event, and we moved on from toppings to The Raven for a drink and a catch up, after the event, which rounded off a very enjoyable evening beautifully.
Sunday, 21 October 2012
BristolCon
The 4th annual BristolCon took place yesterday, and this was my 3rd year as an attending member. I didn't get into Bristol quite as early as I'd hoped (thank you, projectile-vomiting cat), so missed the 1st panels, but once I was there, I enjoyed myself.
I attended several panels, ranging from one about toilets (and other bodily functions) in space, to Women in Sensible Armour, to apocalypses and Steampunk.(separately. There wasn't a steampunk-Apocalypse panel, or of there was, I missed it!)
I also went to the launch party for Stephanie Burgis's new book - 'A Reckless Magick', which is the third in her Regency & Magic series. It was good to meet Stephanie and to hear her read a little from the book, and the wine and home-made cookies were excellent, too!
I was lucky enough to sign up in time to attend the kaffeeklatch with Philip Reeve and Moira Young (at which Ben Jeapes was also a guest) and enjoyed the opportunity to hear them discuss their books and writing styles in a smaller, more informal setting.
Next year's BristolCon will be a week later, which I think will put it on 26th October.
(more photos on flickr)
| Stephanie Burgis |
I attended several panels, ranging from one about toilets (and other bodily functions) in space, to Women in Sensible Armour, to apocalypses and Steampunk.(separately. There wasn't a steampunk-Apocalypse panel, or of there was, I missed it!)
I also went to the launch party for Stephanie Burgis's new book - 'A Reckless Magick', which is the third in her Regency & Magic series. It was good to meet Stephanie and to hear her read a little from the book, and the wine and home-made cookies were excellent, too!
I was lucky enough to sign up in time to attend the kaffeeklatch with Philip Reeve and Moira Young (at which Ben Jeapes was also a guest) and enjoyed the opportunity to hear them discuss their books and writing styles in a smaller, more informal setting.
Next year's BristolCon will be a week later, which I think will put it on 26th October.
(more photos on flickr)
Wednesday, 10 October 2012
In Which There Are More Writers
It's been a busy weekend.
On Friday I had tickets for another Bath Kids Lit. Fest event - an event with Johan Harstad, a Norwegian novelist and playwright whose first YA novel, 172 Hours on the Moon has recently been translated and published in English.
I was only able to stay for the first half of the event, as I also had a ticket for the theatre, and I'm sorry I couldn't stay longer. Johan explained that he had been asked to write a book to be given away to children as part of a cultural festival, and that the book turned out more frightening than originally expected, so ended up being distributed to older children than originally planned.
He spoke about his love of horror movies and books, and claimed that his intention in writing the novel was to cause people to be scared of the Moon... I haven't read the book yet, but I think it will be interesting!
After leaving that event, I walked up to the theatre to see 'Mansfield Park', in a new adaptation fr the stage. I love Austen, but admit that 'Mansfield Park' is my least favourite of her works, partly, I think because it was a set book (with an uninspiring teacher) at A-Level, but also because I find it so hard to identify with Fanny Price, one of literature's wet blankets.
This production has slimmed down the cast of characters - there is no Mr Norris, No Julia Bertram, No Mr Yates, and Dr Grant, Mrs Grant and Lady Bertram do not appear on stage. The play moves quickly, and there is a good deal of humour, but perhaps inevitably, a lot of the nuances are lost.
Most importantly, Edmund's kindnesses to Fanny are limited to providing her with paper to write to her brother, when she first arrives, and ensuring that she is included in the trip to Sotherton, which, combined with his infatuation with Mary Crawford made it hard to see what Fanny saw in him....
However, despite this, the play is entertaining and witty. I may even go back and re-read the novel again.
On Saturday, I was back in Bath for 2 Kids Lit events, and a separate one run by Toppings (on of Bath's two wonderful independent bookshops)
The first event was Michael Morpurgo, who is the author of 'War Horse', and over 100 other books - his event was at the Forum, which started life as a (fabulously Art Deco) cinema - there were around 1,000 there, more than half of them children.
He spoke about the inspiration for 'War Horse', and claimed that the reason that many of his books feature characters called 'Michael' is because he is "deeply unimaginative". He also commented that there ought to be a requirement to have spent time as a teacher before they could become Education Secretary, and got the biggest cheer of the day!
It was clear that the children in the audience were enjoying themselves, and that Michael was as well!
Later on, I returned to the Forum for the event with Anthony Horowitz, author of the Alex Rider books, and of a series, Power of Five, which he has just completed by writing the 5th and final book, Oblivion.
Horowitz came across as very enthusiastic about his work, and talked not only about the Alex Rider books, and Power of Five, but also about his TV work on Foyle's War, and about writing the Sherlock Holmes sequel, A Touch of Silk, It was entertaining, but I was left feeling it was all a bit superficial.
The final event which I attended was not part of the Kids Lit Fest, but the separate 'autumn book festival' which Toppings books are involved with. They had arranged for radio 4 presenter, James Naughtie, to come to speak about his book, The New Elizabethans.
The book is a series of 60 essays, each of which started as the script for a 15 minute radio programmer. Each essay is about a person (or persons) who are seen as 'new Elizabethans', so they are all people who are, or were, famous or extraordinary during the 60 years of the Queen's reign.
The 'Elizabethans' were selected by a panel, from nominations sent in to Radio 4 by listeners, and ranged from Sir Edmund Hillary, to Sir David Attenborough, to Jocelyn Bell Burnell, to others who were perhaps more unexpected - Simon Cowell, for instance...
Naughtie read several short extracts from the essays, and talked a little about some of the challenges - writing to a very tight deadline, writing about people whom he knew personally, and so forth. I'm glad a went, although sadly I did have to leave just before the end, in order to catch my train home.
I was only able to stay for the first half of the event, as I also had a ticket for the theatre, and I'm sorry I couldn't stay longer. Johan explained that he had been asked to write a book to be given away to children as part of a cultural festival, and that the book turned out more frightening than originally expected, so ended up being distributed to older children than originally planned.
He spoke about his love of horror movies and books, and claimed that his intention in writing the novel was to cause people to be scared of the Moon... I haven't read the book yet, but I think it will be interesting!
| from Bath Theatre Royal website (Mr Rushworth) |
This production has slimmed down the cast of characters - there is no Mr Norris, No Julia Bertram, No Mr Yates, and Dr Grant, Mrs Grant and Lady Bertram do not appear on stage. The play moves quickly, and there is a good deal of humour, but perhaps inevitably, a lot of the nuances are lost.
Most importantly, Edmund's kindnesses to Fanny are limited to providing her with paper to write to her brother, when she first arrives, and ensuring that she is included in the trip to Sotherton, which, combined with his infatuation with Mary Crawford made it hard to see what Fanny saw in him....
However, despite this, the play is entertaining and witty. I may even go back and re-read the novel again.
| Michael Morpurgo |
The first event was Michael Morpurgo, who is the author of 'War Horse', and over 100 other books - his event was at the Forum, which started life as a (fabulously Art Deco) cinema - there were around 1,000 there, more than half of them children.
He spoke about the inspiration for 'War Horse', and claimed that the reason that many of his books feature characters called 'Michael' is because he is "deeply unimaginative". He also commented that there ought to be a requirement to have spent time as a teacher before they could become Education Secretary, and got the biggest cheer of the day!
It was clear that the children in the audience were enjoying themselves, and that Michael was as well!
| Anthony Horowitz |
Horowitz came across as very enthusiastic about his work, and talked not only about the Alex Rider books, and Power of Five, but also about his TV work on Foyle's War, and about writing the Sherlock Holmes sequel, A Touch of Silk, It was entertaining, but I was left feeling it was all a bit superficial.
The final event which I attended was not part of the Kids Lit Fest, but the separate 'autumn book festival' which Toppings books are involved with. They had arranged for radio 4 presenter, James Naughtie, to come to speak about his book, The New Elizabethans.
The 'Elizabethans' were selected by a panel, from nominations sent in to Radio 4 by listeners, and ranged from Sir Edmund Hillary, to Sir David Attenborough, to Jocelyn Bell Burnell, to others who were perhaps more unexpected - Simon Cowell, for instance...
Naughtie read several short extracts from the essays, and talked a little about some of the challenges - writing to a very tight deadline, writing about people whom he knew personally, and so forth. I'm glad a went, although sadly I did have to leave just before the end, in order to catch my train home.
Sunday, 30 September 2012
In Which there are Poems
This year's Bath Festival of Children's Literature started on Friday. Although there wasn't any one event this which which leapt out at me as being totally unmissable, but lots that struck me as interesting in one way or another, and I have tickets for 5 or 6 events.
The first was Michael Rosen (well, technically, the first was Ali Sparkes, but I booked that before I knew I had to work on Saturday morning, so I had to miss it, which was a shame)
Michael Rosen's event was in the Guildhall's banqueting hall, and was sold out, which means there were about 350 people there - at a guess, about half of them were small children, and everyone seemed to be enjoying Michael's stories about his school days (back in the Stone Age, when teachers didn't allow children to breathe during lessons, and there was a school dungeon where rats gnawed your toenails) and his poems, many of which involved audience participation.
The event was clearly aimed at young children, but despite neither being, nor having with me, a small child, I still found it lots of fun. An excellent start to (my) festival.
The first was Michael Rosen (well, technically, the first was Ali Sparkes, but I booked that before I knew I had to work on Saturday morning, so I had to miss it, which was a shame)
Michael Rosen's event was in the Guildhall's banqueting hall, and was sold out, which means there were about 350 people there - at a guess, about half of them were small children, and everyone seemed to be enjoying Michael's stories about his school days (back in the Stone Age, when teachers didn't allow children to breathe during lessons, and there was a school dungeon where rats gnawed your toenails) and his poems, many of which involved audience participation.
The event was clearly aimed at young children, but despite neither being, nor having with me, a small child, I still found it lots of fun. An excellent start to (my) festival.
Wednesday, 29 August 2012
In Which There is an Author
On Saturday morning, while checking Twitter, I saw Garth Nix tweet that he would be in Bath that evening, which sounded as though it might be interesting, so I went along.
I have enjoyed his books for several years now, particularly the 'Old Kingdom' ones, and I enjoyed his talk, too.
He started by talking about his name (not a pseudonym, despite what people may suspect) and about telling stories, and where he gets ideas from (unlike Neil Gaiman and others, not from a little shop in southern England, it would seem) and the process of making stories.
He also read us a little of the most recent books he has out; 'A Confusion of Princes' and 'Trouble Twisters' and also a short excerpt from what will, probably, be the prologue to a new 'Old Kingdom' book - 'Claribel: The Lost Abhorsen', which sounds as though it's going to be a book I want to read.
He then answered questions before signing books and chatting, which was fun.
I was slightly distracted during the talk by the fact that there was some decorative bunting up, which had clearly been made out of books.. This bothered me a little. I couldn't help but notice that the bunting was made from actual pages, not anything printed as bunting.
(It's OK. I went and asked one of the staff members after the reading; they explained it was made from a damaged proof copy of a book, so it wasn't destroyed specially)

I'm currently about 1/3 of the way through 'A Confusion of Princes' which I'm enjoying.
There are going to be more authors, soon. It's the Bath Kids Lit Fest next month, which should also be fun, and I have a theatre trip or two lined up.
And on an unrelated note, I went to donate blood today. Turns out it was my 50th donation, which means they give me a shiny brooch and a nice pen, and I was surprised at how chuffed I was about it!
I have enjoyed his books for several years now, particularly the 'Old Kingdom' ones, and I enjoyed his talk, too.
He started by talking about his name (not a pseudonym, despite what people may suspect) and about telling stories, and where he gets ideas from (unlike Neil Gaiman and others, not from a little shop in southern England, it would seem) and the process of making stories.
He also read us a little of the most recent books he has out; 'A Confusion of Princes' and 'Trouble Twisters' and also a short excerpt from what will, probably, be the prologue to a new 'Old Kingdom' book - 'Claribel: The Lost Abhorsen', which sounds as though it's going to be a book I want to read.
He then answered questions before signing books and chatting, which was fun.
I was slightly distracted during the talk by the fact that there was some decorative bunting up, which had clearly been made out of books.. This bothered me a little. I couldn't help but notice that the bunting was made from actual pages, not anything printed as bunting.
(It's OK. I went and asked one of the staff members after the reading; they explained it was made from a damaged proof copy of a book, so it wasn't destroyed specially)
I'm currently about 1/3 of the way through 'A Confusion of Princes' which I'm enjoying.
There are going to be more authors, soon. It's the Bath Kids Lit Fest next month, which should also be fun, and I have a theatre trip or two lined up.
And on an unrelated note, I went to donate blood today. Turns out it was my 50th donation, which means they give me a shiny brooch and a nice pen, and I was surprised at how chuffed I was about it!
Friday, 22 June 2012
Art, and Thoughts on Art
At the gig on Monday, Amanda announced that the venue would be open again on Tuesday afternoon for the art, so I decided to go back.
The gallery was deserted so I was able to spend as long as I wanted with the art works.
On Monday, I'd found myself wandering around, and every so often I would see a picture and thinks "that's gorgeous, I wonder who made it?" and then I would read the label and, about half the time, realise that it was an artist I already knew of - some, like Kyle Cassidy and Molly Crabapple I was expecting, (you can buy prints of Molly's pieces here)
Others, like Raliel, I should have anticipated but hadn't,Other artists included Judith Clute, Michael Zulli, David Mack, (I immediately loved his pieces, but it took a long time for the penny to drop and to realise that he also did the art work for the 'I Will Write With Words of Fire' prints from neverwear)
Some of the artists were new to me - I immediately fell in love with Vladimir Zimakov's linocuts,(also available as prints)
and was impressed with the photography skills of one Neil Gaiman, who seems to be a newcomer as a visual artist...
I was impressed, too, with the ability of one Amanda Palmer to draw so well, in addition to the singing.
Kambriel's gorgeous 'The Killing Type' dress presided over all, with bullets (or shell cases?) in the bodice..
Alone in the gallery, I was terribly tempted to see if I could take it off the mannequin and try it on myself. I didn't, but when I tweeted about it later, Kambriel said she would have let me, had she been there. I wish she had been!
But there was one piece of art which I kept returning to. The set of 5 pictures by Kyle Cassidy, of people, naked, in bed. I kept returning to them because the pictures are beautiful, of course, but also because they felt so real - the people in the pictures. The pictures were beautiful, and so were the people in the pictures.Every curve, every line, every sign of lives lived. Seeing them on Monday night, during Amanda's show, I loved them. Seeing them the following day, in the quiet of an empty gallery, I was moved to tears.
(20.37 22.06.12) edited to correct errors)
The gallery was deserted so I was able to spend as long as I wanted with the art works.
On Monday, I'd found myself wandering around, and every so often I would see a picture and thinks "that's gorgeous, I wonder who made it?" and then I would read the label and, about half the time, realise that it was an artist I already knew of - some, like Kyle Cassidy and Molly Crabapple I was expecting, (you can buy prints of Molly's pieces here)
| Molly Crabapple's art |
Some of the artists were new to me - I immediately fell in love with Vladimir Zimakov's linocuts,(also available as prints)
and was impressed with the photography skills of one Neil Gaiman, who seems to be a newcomer as a visual artist...
I was impressed, too, with the ability of one Amanda Palmer to draw so well, in addition to the singing.
Kambriel's gorgeous 'The Killing Type' dress presided over all, with bullets (or shell cases?) in the bodice..
Alone in the gallery, I was terribly tempted to see if I could take it off the mannequin and try it on myself. I didn't, but when I tweeted about it later, Kambriel said she would have let me, had she been there. I wish she had been!
| Kyle Cassidy's 'Bed Song' art |
(20.37 22.06.12) edited to correct errors)
Sunday, 27 March 2011
Diana Wynne Jones
I woke up on Saturday morning to learn that Diana Wynne Jones had died.
I only ever met Diana once, when she appeared at the Bath Festival of Children's Literature in 2008, but she has been one of my favourite writers for over 20 years, and knowing ahe has gone leaves a little hole in my heart.
I remember when I first found her work. It was in 1988, and I came across 'The Lives of Christopher Chant' in my local library, and fell in love.
In the years that followed, I searched out everything she wrote. It wasn't always easy, as many of the books were out of print - it gave me a sense of triumph when I managed to track one down, but always mingled with baffled anger at the fact that these wonderful stories had been allowed to go out of print.
A few years ago I wrote to Diana, via her publisher, to tell her how much joy her work had given me, how much I loved the variety, and how much certain books had meant me. I was surprised and delighted to get a lovely, warm, personal letter back.
I was encouraged to attend my first Con by reading 'Deep Secret', which left me feeling that a con might be the kind of place I'd fit in (Although I have never, yet, met a centaur at one)
I know we have all known for some time that Diana was very ill, but hearing of her death still came as a shock.
I am so glad that she did get to see her books come back into print, and to see the 'Howl's Moving Castle'. I mourn the fact that she had to endure a horrible illness, that she had to go when she still had new, fresh stories unwritten.
My deepest sympathies are for her family and her friends, and I do hope that they will, now or soon, take some comfort from seeing how much she was loved and valued by so many of us who knew her only through her books.
I shall be re-reading my favorites this week.
Thank you again, Diana. Rest in Peace.
I only ever met Diana once, when she appeared at the Bath Festival of Children's Literature in 2008, but she has been one of my favourite writers for over 20 years, and knowing ahe has gone leaves a little hole in my heart.
I remember when I first found her work. It was in 1988, and I came across 'The Lives of Christopher Chant' in my local library, and fell in love.
In the years that followed, I searched out everything she wrote. It wasn't always easy, as many of the books were out of print - it gave me a sense of triumph when I managed to track one down, but always mingled with baffled anger at the fact that these wonderful stories had been allowed to go out of print.
A few years ago I wrote to Diana, via her publisher, to tell her how much joy her work had given me, how much I loved the variety, and how much certain books had meant me. I was surprised and delighted to get a lovely, warm, personal letter back.
I was encouraged to attend my first Con by reading 'Deep Secret', which left me feeling that a con might be the kind of place I'd fit in (Although I have never, yet, met a centaur at one)
I know we have all known for some time that Diana was very ill, but hearing of her death still came as a shock.
I am so glad that she did get to see her books come back into print, and to see the 'Howl's Moving Castle'. I mourn the fact that she had to endure a horrible illness, that she had to go when she still had new, fresh stories unwritten.
My deepest sympathies are for her family and her friends, and I do hope that they will, now or soon, take some comfort from seeing how much she was loved and valued by so many of us who knew her only through her books.
I shall be re-reading my favorites this week.
Thank you again, Diana. Rest in Peace.
Wednesday, 24 November 2010
Tales of Mr Maupin
Last night saw me in Bath again for another author event organised by Toppings bookshop.
This one was a reading and Q&A by Armistead Maupin, as part of his world tour for the publication of the latest 'Tales of the City' book, 'Mary Ann in Autumn'
He started by reading the first chapter of the new book, then took questions, while skirting carefully around any potential spoilers, either of this book or the earlier ones.
He talked a little about the musical of Tales of the City, which features songs written by Scissor Sisters (He mentioned that "There's an 'O my god I'm pregnant' song, which Mona sings while she has her feet in the stirrups at the gynocologist")
He admitted having borrowed Mrs Madrigal's background from a story told to him as a journalist in San Francisco, when he was attending a fundraising party held by a transwoman to fund her final operations - she called it "The ball to End All Balls" and it featured a 70 year old fan-dancer, Sally Rand!
He also spoke of having encouraged Alexander McCall Smith to write a serial novel in his newspaper column. "Alexander McCall Smith? I hate him. He writes a book every 10 minutes..."
He also spoke briefly about his pride at having played a role in gay history, and his view that opening marriage to more people, recognising gay marriage does not undermine, but rather honours the institution of marriage. That one got a round of applause all of its own!
it was a hugely entertaining evening, and I'm looking forward to readng the new novel.
This one was a reading and Q&A by Armistead Maupin, as part of his world tour for the publication of the latest 'Tales of the City' book, 'Mary Ann in Autumn'
He started by reading the first chapter of the new book, then took questions, while skirting carefully around any potential spoilers, either of this book or the earlier ones.
He talked a little about the musical of Tales of the City, which features songs written by Scissor Sisters (He mentioned that "There's an 'O my god I'm pregnant' song, which Mona sings while she has her feet in the stirrups at the gynocologist")
He admitted having borrowed Mrs Madrigal's background from a story told to him as a journalist in San Francisco, when he was attending a fundraising party held by a transwoman to fund her final operations - she called it "The ball to End All Balls" and it featured a 70 year old fan-dancer, Sally Rand!
He also spoke of having encouraged Alexander McCall Smith to write a serial novel in his newspaper column. "Alexander McCall Smith? I hate him. He writes a book every 10 minutes..."
He also spoke briefly about his pride at having played a role in gay history, and his view that opening marriage to more people, recognising gay marriage does not undermine, but rather honours the institution of marriage. That one got a round of applause all of its own!
it was a hugely entertaining evening, and I'm looking forward to readng the new novel.
Sunday, 7 November 2010
In Which I Go to Bristol
Some time ago, my friend Cheryl suggested to me that I might like to go to BristolCon (of which she is a committee member) and, as it is practically on the doorstep, and membership was only £15, I thought "Why not? It might be fun"
My day didn't start too well. Having got up remarkably early for a Saturday, dealt with some urgent errands in town and got myself to the station on time, I found that the train I was planning to catch was running very late, so had to wait half an hour for the next one, and arrived a little later than intended.
However, one I arrived and was registered, things sarted to improve. The hotel had provided tea & coffee, so I was able to get by blood-caffiene levels up, and to take a look around the dealers room and art show before heading to my first programme item - a short reading by Juliet McKenna. The programme was set up so that each panel item was 50 minutes long rather than an hour, with 10 minute readings sandwiched in the gaps. A nice idea - you get the chance to get a 'taster' of different books and writers, or alternatively to make that essential coffee or loo break without missing or disrupting a panel.
My first full panel was Cheryl Morgan interviewing Joe Abercrombie, one of the Guests of Honour.
I have to confess that I haven't actually read any of Joe's novels, but hearing him speak about the process of writing was interesting. cheryl was also able to disclose that George RR Martin is a fan, and any further delays in his completing the next book may be blamed on the fact that he is reading Joe Abercrombie novels instead of writing...
There was much discussion of hacking people to bits, and of blood spatter. Joe Abercrombie: "People getting hacked to pices, what could be funnier?"
I stepped out for the nxt cupld of pnels as I was supposed to be meeting a friend for lunch, and was back in time for local journalist and novelist Eugene Byrne's talk about Bristol. This was fascinating - he started by telling us Bristol's founding myth (which has brothers who were rivals in love) then de-bunked the urban myth about the Bristol Zoo carpark and talked a little about the Suspension Bridge, and the Victorian lady who threw herself off it, butwas saved by a combination of her crinolenes and the very soft mud into which she fell. He then took us on a brief 'walking tour' via google streetview of some notable spots in Bristol, including Thomas Chatterton's house (almost opposite the hotel), the (site of) the church of Saint Wilgefortis, (AKA St. Uncumber) who is the patron saint of unhappily married women, and the non-existant street. It was all fascinating and highly entertaining.
I stayed for the short reading by Mike Shevdon - I saw him on a panel at EasterCon talking about fanastical London, and wrote his name down intending to buy his book, and I finally managed to buy 'Sixty One Nails'(the first one) and get it signed. He read the opening of the book and I am looking forward to reading the rest.
I also had a brief chat with him earlier in the day, when I spotted him with Paul Cornell, and asked them each to sign books for me ;-)
The next panel I went to was entitled "Future Science" and featured Alastair Reynolds, Jon Turney, Nick Walters, Gareth L. Powell and Paul Cornell, discussing the science which they hope, fear or expect for the future.
Paul Cornell wants to live forever, everyone expects that there will be a total loss of privacy, and that science fiction today is notably more pessimistic than it used to be.
This panel was followed by Paul Cornell's GoH spot, in which he talked, very entertainingly about past and current projects, including writing 'Death' for the Lex Luthor comic (and being able to liaise with Neil Gaiman about her dialogue, his current work in progress which is an urban fantasy novel, but without sexy, sparkly vampires - more police proceedural with supernatural elements (which to me sounds as though it may have a similar sort of flavour to Mike Carey's 'Felix Castor' novels, which would be just fine by me!)
He also broke the disappointing news that the BBC will not be commissioning 'Pulse' - apparently it was initially approved but then cancelled, which is a great shame.
At the end of his spot Paul read from his short story "The Occurrance at Slocombe Priory", an hilarious M.R.James/ScoobyDoo mash up... That was the last of the panels I attended.
As well as the panels, however, I enjoyed meeting Alex Keller, after a mutual friend told me, via Twitter, that he would be there and I should say hello. An he was, and I did, and I bought his book, and we chatted ., and I enjoyed myself :-)
I also briefly met Ben Jeapes - sitting down before Paul Cornell's talk I noticed the name badge of the person sitting behind me, so asked whether he was the Ben Jeapes who wrote 'His Majesty's Starship', and it was! So I was able to tell him how much I enjoyed it, and asked whether he has anything else in the pipeline (yes, but probably not for a year or two). A completely unexpected pleasure. And if you haven't read HMS (which I think was also published under the title 'the Ark') and the sequel, 'The Xenocide Mission' give them a go. He has more convincingly alien aliens than I've come across for a long time.
All in all, I enjoyed myself a lot.
I didn't so much enjoy my trip home. I got to temple Meads about 15 minutes before the train was due, to discover it was running 40 minutes late. The next one (25 minutes later) was on time, but very crowded, and with 2 platform changes, which is a lot of running around. Oh, and the reason given for the first one being so late? It was due to "the number of people wanting to board the train in Cardiff, following a rugby match". Now, I don't claim to know much about sports, but I am pretty sure that International rubgy matches are planned in advance, and do not simply happen spontaneously, flash-mob style. I am also fairly sure that lots of people will use trains every time there is a match, so you'd think the train operaters might be able to work this out, too, and consider, just maybe, putting on extra trains/carriages or at the very least, taking the extra volume of people into account and adjusting the timetable if needed. But obviously not.
Oh well.
I also briefly met Ben Jeapes - sitting down before Paul Cornell's talk I noticed the name badge of the person sitting behind me, so asked whether he was the Ben Jeapes who wrote 'His Majesty's Starship', and it was! So I was able to tell him how much I enjoyed it, and asked whether he has anything else in the pipeline (yes, but probably not for a year or two). A completely unexpected pleasure. And if you haven't read HMS (which I think was also published under the title 'the Ark') and the sequel, 'The Xenocide Mission' give them a go. He has more convincingly alien aliens than I've come across for a long time.
All in all, I enjoyed myself a lot.
I didn't so much enjoy my trip home. I got to temple Meads about 15 minutes before the train was due, to discover it was running 40 minutes late. The next one (25 minutes later) was on time, but very crowded, and with 2 platform changes, which is a lot of running around. Oh, and the reason given for the first one being so late? It was due to "the number of people wanting to board the train in Cardiff, following a rugby match". Now, I don't claim to know much about sports, but I am pretty sure that International rubgy matches are planned in advance, and do not simply happen spontaneously, flash-mob style. I am also fairly sure that lots of people will use trains every time there is a match, so you'd think the train operaters might be able to work this out, too, and consider, just maybe, putting on extra trains/carriages or at the very least, taking the extra volume of people into account and adjusting the timetable if needed. But obviously not.
Oh well.
Friday, 5 November 2010
In Which There is an Historian
Last night I went to Bath again, this time it was to see Michael Wood, who was there to talk about his recent TV series and the book which accompanies it,'The Story of England'
But before I got to that part of the evening I had time for a quick visit to Mr B's bookshop which is a very nice bookshop (with free coffee & comfy chairs upstairs, which I didn't have time to enjoy this time round) and a wall papered with pages from Tintin, which I rather enjoyed.
I then had to spend a couple of hours on a work related course, and had just time to grab some mediocre chinese food (and all-you-can-eat buffet is your friend when you only have 20 minutes in which to eat) before heading to St Michael's church, where Mr Wood's event was taking place.
I have to thank Cheryl again, who not only spotted that this event (and Monday's, with Iain M Bnks) was on, but also booked the tickets and got to the church first and saved me a seat.
Mr. Wood was talking about The Story of England, and it was fascinating. The premise is that he set out to look at the history of England (and he was careful to note that it was just England, not Britain) by looking at a single town.
The one he picked is Kibworth in Leicestershire. It was picked because it is (geographically) central, and broadly on the border between the part of England which was under Danelaw, and that part which was Anglo-Saxon , but mainly because it has excellent written records - one half of the village was bought by Merton College, Oxford, so there are 750 years worth of written records. The parish is made up of 2 distinct villages - Kibworth Beauchamp (the posh bit) and Kibworth Harcourt (the poor bit)
The aim was to look at the history and development of the villages from the perspective of the community - bottom-up, not top-down, history.
In Kibworth, the social divisions certainly went back as far as Domesday book (there were fewer slaves and villeins in Kinworth Beauchamp than in Kibworth Harcourt) and possibly longer - Michael had a theory that it may do, and that the names of the fields were anglo-saxon in one area, and celtic in another.
The project not only involved looking at the history of the community, but also involving the community in the research - they dug 55 test pits all over the parish, (including one in the pub car park where they found a fragment of an Anglo-Saxon bone comb)
The village lost 2/3 of its population in the Black Death. The quality of the records mean that it is possible to trace 15 generations of peasant families.
The series (and book) go right up to the present day. I have not yet seen all of the episodes but I'm looking forward to seeing the rest, and to reading the book.
After his talk, Michael signed books, and was very friendly and chatty.
A most enjoyable evening.
Tuesday, 2 November 2010
In Which There is Another Author
A couple of weeks ago, my friend Cheryl asked whether I fancied seeing Iain M. Banks, who was going to be coming to Bath.
Well, obviously the answer was "yes", so last night I headed into Bath after work, ready to enjoy myself.
Cheryl and I met up and had a very nice meal at Wagamama, then headed to Toppings Booksellers, who had organised the event.
Toppings is a nice bookshop. It's independent, which is always good, has a nice selection of books, and has its own slightly idiosyncratic approach to shelving, which adds interest to shopping there (books appear to be shelved to some extent by size as well as being sorted by author / genre, so a writers most recent (big, hardback) book may be in a different place to the earlier (paperback) books by the the same author)
Cheryl and I met up and had a very nice meal at Wagamama, then headed to Toppings Booksellers, who had organised the event.
Toppings is a nice bookshop. It's independent, which is always good, has a nice selection of books, and has its own slightly idiosyncratic approach to shelving, which adds interest to shopping there (books appear to be shelved to some extent by size as well as being sorted by author / genre, so a writers most recent (big, hardback) book may be in a different place to the earlier (paperback) books by the the same author)The shop is not, perhaps, the ideal venue for a reading / Q&A, as it is rather long and thin, with bookshelves arranged in bays, like an old fashioned library. All of which is very nice, but means that lines of sight etc are a little tricky. However, anyone who doesn't have a good view of the writer concerned will be seated among bookhelves and have the oppotunity to indulge in a little browsing while they listen, so I doubt that blocked lines of sight present much of a hardship!
We found seats in one of the front rows, so ended up sitting just to the right and very slightly behind where Iain was standing, and settled in to enjoy ourselves.
Iain started by explaining why he uses the "M" for the Science Fiction and not for the mainstream novels, on the basis that someone always asks, and then moved on to talk about how he started out, the revelation that 2nd drafts have a purpose, and the perils of too much research. (Quote: "I make stuff up. It's my job") Also, he likes unexpected endings and thus does not like people who read the end of a book first and spoil the surprise.
The Q&A lasted for about an hour, but felt much shorter. Afterwards, Iain signed books and chatted to fans .
It was fun.
Thursday, 15 July 2010
Some Book Reviews
So, the blog has been very heavy on music and theatre recently, so I've decided to do a post about some of the books I've been reading recently, and what I thought of them. All titles are links to the relevent amazon page, in case you get a sudden urge to go shopping!
'Stories' Neil Gaiman & Al Sarrantonio
I was fairly confident I'd find stories I'd like here - partly because I knew Neil Gaiman and Diana Wynne Jones are two of the contributors, and they are 2 of my favourite
writers, but also because I trusted Neil in picking writers and stories (Not to say I couldn't also trust Al Sarrantonio, but I am not familiar with his work)
Inevitably there were some stories which I liked better than others, but there weren't any which I disliked, or felt I had wasted my time by reading, although I am sure that there are some I will re-read less frequently than others.
The stories in the collection are not limited to a single genre or theme, which adds a sense of adventure when dipping into the book - you never know what you are going to get!
I was not expecting to find Joanne Harris writing about fading gods hunting one another through modern New York, or Roddy Doyle a darkly funny story about vampires, for instance, whereas Michael Marshall Smith's dark assassination tale is perhaps more what I might have expected from him. Both were very good, and are stores I will undoubtable re-read in the future. Neil Gaiman's own 'The Truth is a Cave in the Black Mountains' is a very bleak tale of Jacobites, treasure and revenge, and Laurence Block's 'Catch and release' and Richard Adams' 'The Knife' are both chilling. Bycontrast, Diana Wynne Jones' Samantha's Diary is very funny, and will definitely be re-read at the appropriate time of year. The collection is heavy on the darker side, and has certainly made me interested in exploring further the works of some of the contributers.
'Troubadour' Mary Hoffman
Mary Hoffman is primarily known as a writer for young adults, I particularly enjoy her 'Stravaganza' series. This book was also only the YA shelves at my
local library; It is a historical novel, with the protagonist being a young noblewoman, Elinor, living in the Langue D'Oc region of Medieval France, and living through the Cathar pogroms and crusade in the early 13th Century.
I found the book interesting - I knew next to nothing about the Cathars or the way they were treated, and the story provides that information, and whetted my appetite to learn more, but I was less gripped by it as a story - I never really felt I got to a point where I cared deeply about the characters, and did have several 'yes, but ' moments - would a group of troubadours really be willing to help their patron's daughter to run away from home? And would such a girl have been quite so shocked by the thought of being married off to a man chosen by her father?
All that said, I did enjoy the book, but I don't think I shall be rushing out to buy my own copy.
Perhaps unfairly, I think I would probably have rated the book more highly had it been written by someone else, so I wasn't comparing it to other books Mary Hoffman has written, but I have very high expectations of her which this book didn't quite meet.
'Between the Woods and the Water' Patrick Leigh Fermor
'Stories' Neil Gaiman & Al Sarrantonio
I was fairly confident I'd find stories I'd like here - partly because I knew Neil Gaiman and Diana Wynne Jones are two of the contributors, and they are 2 of my favourite
writers, but also because I trusted Neil in picking writers and stories (Not to say I couldn't also trust Al Sarrantonio, but I am not familiar with his work)Inevitably there were some stories which I liked better than others, but there weren't any which I disliked, or felt I had wasted my time by reading, although I am sure that there are some I will re-read less frequently than others.
The stories in the collection are not limited to a single genre or theme, which adds a sense of adventure when dipping into the book - you never know what you are going to get!
I was not expecting to find Joanne Harris writing about fading gods hunting one another through modern New York, or Roddy Doyle a darkly funny story about vampires, for instance, whereas Michael Marshall Smith's dark assassination tale is perhaps more what I might have expected from him. Both were very good, and are stores I will undoubtable re-read in the future. Neil Gaiman's own 'The Truth is a Cave in the Black Mountains' is a very bleak tale of Jacobites, treasure and revenge, and Laurence Block's 'Catch and release' and Richard Adams' 'The Knife' are both chilling. Bycontrast, Diana Wynne Jones' Samantha's Diary is very funny, and will definitely be re-read at the appropriate time of year. The collection is heavy on the darker side, and has certainly made me interested in exploring further the works of some of the contributers.
'Troubadour' Mary Hoffman
Mary Hoffman is primarily known as a writer for young adults, I particularly enjoy her 'Stravaganza' series. This book was also only the YA shelves at my
local library; It is a historical novel, with the protagonist being a young noblewoman, Elinor, living in the Langue D'Oc region of Medieval France, and living through the Cathar pogroms and crusade in the early 13th Century.I found the book interesting - I knew next to nothing about the Cathars or the way they were treated, and the story provides that information, and whetted my appetite to learn more, but I was less gripped by it as a story - I never really felt I got to a point where I cared deeply about the characters, and did have several 'yes, but ' moments - would a group of troubadours really be willing to help their patron's daughter to run away from home? And would such a girl have been quite so shocked by the thought of being married off to a man chosen by her father?
All that said, I did enjoy the book, but I don't think I shall be rushing out to buy my own copy.
Perhaps unfairly, I think I would probably have rated the book more highly had it been written by someone else, so I wasn't comparing it to other books Mary Hoffman has written, but I have very high expectations of her which this book didn't quite meet.
'Between the Woods and the Water' Patrick Leigh Fermor
This is the second part of Leigh Fermor's autobiography charting his travels, as a young man, from England to
Constantinople (the first part being 'A Time of Gifts', which is well worth reading, and which you should probably read first, in order to follow the journey in order) In 1933, having left school and finding himself at something of a loose end, Leigh Fermor set out to travel, on foot, to Constantinople. Between the Woods and the Water covers the section of the journey from the Danube to the Iron Gates (Ada Kalah, in Romania)
Constantinople (the first part being 'A Time of Gifts', which is well worth reading, and which you should probably read first, in order to follow the journey in order) In 1933, having left school and finding himself at something of a loose end, Leigh Fermor set out to travel, on foot, to Constantinople. Between the Woods and the Water covers the section of the journey from the Danube to the Iron Gates (Ada Kalah, in Romania)It is absolutely fascinating, as travel writing but also as anthropology. Leigh Fermor made most of the journey on foot and mixed with peasants, gypsies and down-and-outs, but also, through a series of friends-of-friends and introductions with various members of the nobility and gentry - so he found himself sleeping with gypsies one day, then playing bicycle polo with archdukes the next. The writing is beautiful, and the books give a fascinating insight into the period, as well. Leigh Fermor is clearly very erudite and well read, which means when reading I spent a lot of time making notes of various reference to go & look up later. He rather endearingly assumes that his readers are just as familir with classical allusions, and just as able to read Greek or Latin, so (in the edition I was reading, at least) there are no footnotes, and no translations of classical quotations. Don't, however, let this put you off. If stopping to look up quotations part way through a book isn't your thing, you can skip the Greek and just enjoy the writing!
Highly recommended!
I picked this up
on impulse, and found it very interesting - it is a study of women's education, primarily focusing on women's access to, and involvment in university education in England, at the end of the 19th and start of the 20th Century, bilding largely on diaries, college records and personal memories. This makes for an interesting read, but does mean that it is difficult at times to determine which experiences are unique to one person, and which are examples of a more general experience.
on impulse, and found it very interesting - it is a study of women's education, primarily focusing on women's access to, and involvment in university education in England, at the end of the 19th and start of the 20th Century, bilding largely on diaries, college records and personal memories. This makes for an interesting read, but does mean that it is difficult at times to determine which experiences are unique to one person, and which are examples of a more general experience.Similarly, although very readable, it is occasionally unclear when the author has skipped from 1870 to 1920 or 1930! It's certainly an interesting, and very readable introduction to this area of social history, and also a salutory reminder of how far we've come.
Tuesday, 6 April 2010
Odyssey 2010 - The Final Days
Monday started very late. Can't imagine why.
I made it for the 2nd half of of a panel on Language & Dialect in writing (would have made it for the first half, but I turned my ankle on the way, which slowed me down.) Very interesting, with discussions about whether readers in different parts of the world pick up on the same nuances when writers use different dialects or accents, particularly in relation to class and hearing the work in the author's voice once you have heard him (or her) speak.
Then nipped out for lunch with Cheryl Morgan (McDonalds seeming more appealing than anything available in the hotel....) before returning for the 'Icons, Symbolism & Archetypes' panel which was, on the whole, amiable (except for a few raised hackles at the suggestion, from the audience, that science was a belief system!) - favourite comments - "I'm an Anglican, but I like a bit of Wicca at the weekends" - Paul Cornell; Paul's assurances that not all Christians are narrow minded bigots, and Piers Beckley's response that not all Atheists are like Richard Dawkins...
Then headed to the 'Dollhouse, ethics and identity panel' but found it a bit frustrating as I could only hear 2 of the panellists.. I slightly regret not having gone to the Clangers symposium instead...
The final panel I went to was titled 'London as a SF/F Setting' - with Mike Carey, Mike Shevdon, Roz Kaveney,Sebastian Bleasdon and Pat Rigby-McMurray. It ended up being more about London in fact, than fiction, but was so interesting I didn't care it had wandered a little from the topic.
Looked in on the Dead Dog party, had a final pint, and then headed back to the hotel to pack, and sleep.
Then this morning, back to the hotel to breakfast with Cheryl Morgan and Anne K Murphy - hotel no longer sporting recruitment posters to combat the Cylon Threat, screens in lobby showing BBC news instead of Odyssey logos, in fact nothing interesting to look at at all.
Roundup of my EasterCon:
Panels etc. attended - about 20?
Books acquired 7
Books signed by authors 5
Hats acquired 2
Hours of sleep - far too few
Fun had - lots..
I made it for the 2nd half of of a panel on Language & Dialect in writing (would have made it for the first half, but I turned my ankle on the way, which slowed me down.) Very interesting, with discussions about whether readers in different parts of the world pick up on the same nuances when writers use different dialects or accents, particularly in relation to class and hearing the work in the author's voice once you have heard him (or her) speak.
Then nipped out for lunch with Cheryl Morgan (McDonalds seeming more appealing than anything available in the hotel....) before returning for the 'Icons, Symbolism & Archetypes' panel which was, on the whole, amiable (except for a few raised hackles at the suggestion, from the audience, that science was a belief system!) - favourite comments - "I'm an Anglican, but I like a bit of Wicca at the weekends" - Paul Cornell; Paul's assurances that not all Christians are narrow minded bigots, and Piers Beckley's response that not all Atheists are like Richard Dawkins...
Then headed to the 'Dollhouse, ethics and identity panel' but found it a bit frustrating as I could only hear 2 of the panellists.. I slightly regret not having gone to the Clangers symposium instead...
The final panel I went to was titled 'London as a SF/F Setting' - with Mike Carey, Mike Shevdon, Roz Kaveney,Sebastian Bleasdon and Pat Rigby-McMurray. It ended up being more about London in fact, than fiction, but was so interesting I didn't care it had wandered a little from the topic.
Looked in on the Dead Dog party, had a final pint, and then headed back to the hotel to pack, and sleep.
Then this morning, back to the hotel to breakfast with Cheryl Morgan and Anne K Murphy - hotel no longer sporting recruitment posters to combat the Cylon Threat, screens in lobby showing BBC news instead of Odyssey logos, in fact nothing interesting to look at at all.
Roundup of my EasterCon:
Panels etc. attended - about 20?
Books acquired 7
Books signed by authors 5
Hats acquired 2
Hours of sleep - far too few
Fun had - lots..
Monday, 5 April 2010
More EasterCon. Probably Sunday
An early start - I had put my name down for the Kaffeeklatch with Mike Carey, which was scheduled for 10 a.m., so necessitated getting to the Radisson by 9 to check the list. Happily, it was worth it, as I was on the list, so having marked myself in I was able to forage for coffee and ensure I was actually awake, before heading down to reclaim the room from the Clanger knitting panel immediately before us.
I'm pretty sure a good time was had by all - I certainly enjoyed it, and hope Mike did, too. The extra time meant that I missed the '1st editions & fine bindings' panel, which was a pity, but one cannot have everything.

We were very lucky as not only did we get the conversation with Mike, there was no-one using the room from 11 and so we were able to simply carry on, and the kaffeeklatch ended up continuing until 1/4 to 12. Bonus!
There seemed to be a cross section of those who were primarily fans of Mike's comics / GNs and those coming in as fans of the Felix Castor novels, so part of the conversation veered into a quick run down of Mike's back catalogue and recommendations of where to start for a non-comic reader (possibly 'Season of Mists' followed by Lucifer)
There was talk about the 'grittiness' of the settings - the fact that the London in which F
elix lives, and he other places he visits are very real, (except of course specific buildings etc which Mike invents - and which people apparently regularly claim to be familiar with!) as are elements such as the time taken to get from one part of it to another. Also talked about adapting other people's work, the fact that Mike has been offered but turned down suggestions that the Felix Castor books should be adapted as GNs (because, at least in part, of the difficulty in representing music in comics), but that a possible film is in the offing (Contracts have been "on the verge of being sent" for 2 years now...
We also talked about the Constantine film (general consensus seemed to be that it wasn't necessarily a bad film, as long as you don't expect it to be anything much to do with Hellblazer...) the importance of characters taking responsibility for their own actions and mistakes, Felix Castors's sex life (or lack thereof), families (born and made), Frankenstein and the morality of monsters, torture, John Constantine's successor, and reading recommendations from all around the table.
I'm pretty sure a good time was had by all - I certainly enjoyed it, and hope Mike did, too. The extra time meant that I missed the '1st editions & fine bindings' panel, which was a pity, but one cannot have everything.
After a couple of hours in the Green Room, which included a brief conversation with Paul Cornell & other waiting panellists about Jane Austen, lost in Austen and Pride & Prejudice & Zombies, all conducted with the faint background smell of smoke & cordite from the Pyrotechnics display in the main hall, I headed down to the Hall for the Guest of Honour interview with Mike Carey, conducted by Paul Cornell.
This started late due to
the pyro stuff, and some of the clean up had to go on during the interview, with people from (?Ops) mopping the stage as the interview continued!
The interview covered some of the same areas which were discussed at the Kaffeeklatch but also featured the Pantera comic "Probably the worst comicbook in the history of the world [,...] I convinced myself at the time that it was ironic, but it wasn't, it was just bad"- Mike Carey and more discussion of Lucifer, an how the character changed from Neil Gaiman's original character (Prompting Paul Cornell to declare "I love Lucifer. [pause] that wouldn't go down well with my wife")
Mike also talked about "The Unwritten" (including explaining that if/when JK Rowling's lawyers come knocking claiming it rips off Harry Potter the defence will be that no, it wasn't nicked from JKR but from 'Books of Magic'....
Both Paul & Mike seemed to be having fun during the interview, and we learned Mike's research consists of "bumming about on the internet...."
I had planned to stay for the European Torus & Alan Moore talks, but the lure of a shower & nap won out. I must say, that whatever its other failings, the Ibis cannot be faulted on water pressure :-)
I got back to the hotel in time for Ian Sorensen's "Harry Potter and the Half Cut Prince", billed as ' a musical with jokes and live quidittich. It was very funny, involving many appalling puns, reworked lyrics to such classics as 'Fame' and 'Pinball Wizard' , lots of Dr Who, Alan Rickman, Galaxy Quest and Rocky Horror references, and audience participation. All good, grubby fun!
An hour later, back in the hall for the Mitch Benn gig - introduced by Paul Cornell "He is one of us", Mitch's set included 'Be my Dr Who Girl', 'I might just have to Murder James Blunt' The Very Hungry caterpillar rock opera, 'Crap Shag' plus singing in dalek voice... this is a man who knows his audience.
Lots of comedy between songs, including comments on not being a real Dr Who fan as he has never built his own Dalek, (and that what can what do with a dalek, except perhaps sulk) which amused me as I left, as I overheard a plaintive little voice saying "but I can think of *lots* of reasons to build a dalek"...
There seemed to be a lot of people queueing up to buy CDs afterwards some of whom didn't appear to have previously heard Mitch's stuff.
There were also lots of people milling around the atrium in fantastic costumes, preparing for the Steampunk Ball - also a rather splendid 10th Doctor.
It was shortly after this that I ended up in the Polo bar, where I had interesting conversations with several strangers, congratulated Paul Cornell & Cheryl Morgan on their Hugo nominations, drank guinness, and acquired a perfecty splendid hat from (I think) Sith Happens, before staggering back to the hotel at around 2 a.m.
Sadly, I didn't make it to the dealers room on Monday morning to get the e-mail address of the dealer from Brighton I was chatting to in the bar, so if you're reading this - sorry :(
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