Showing posts with label Adelle Leonce. Show all posts
Showing posts with label Adelle Leonce. Show all posts

Sunday, 9 June 2019

Emilia the play

I went to see Emilia last  Saturday, for the penultimate performance.  The play started life at the Globe, and then transferred to the Vaudeville, where I saw it.


It's loosely based on the life of Emilia Bassano Lanier,(1569-1645) who is one candidate for Shakespeare's 'Dark Lady'. She was the daughter of a court musician, and spent part of her childhood in the household of the Countess of Kent. By the time she was 18 she had become the mistress of Henry Carey, the 61 year old Lord Chamberlain (Shakespeare at the time had a company of players, the Lord Chamberlain's men, so it is reasonable to assume that they may have met).

A marriage was arranged for her when she became pregnant with Carey's child,(which led to financial problems which seem to have dogged her for the rest of her life)  and his death  shortly after left her unprotected. Later in life, with the help of a number of well-born female patrons, she published a volume of poetry.

The play imagines  her as an early, justifiably angry, feminist, doomed always to be dismissed due to her gender, despite being as (or more) talented than her male counterparts. 

It puts her words into the mouths of some of Shakespeare's characters (most notably Emilia in Othello) and her anger at his appropriation of her words, and his publication of verses originally written for her.

Emilia is the narrator of her own story - there are 3 actors playing Emilia at different stages of her life, the eldest of whom also narrates and frequently addressing the audience directly, and perhaps due to its origins at the Globe, there are also frequent incursions into the audience by the cast  Shakespeare and the Lord Chamberlain turn up in the boxes, chatting to punters, for instance. 

The cast is entirely made up of women, some of whom, in their roles as amorous or  lecherous men are clearly having way too much fun with it! 

It's very good, and covers a lot of ground that remains all too pertinent. The run is over now, but if it is revised, or tours, do see it , it's great!

Friday, 6 October 2017

'Against' at the Almeida

I saw Ben Whishaw's performance in 'Bakkhai' at the Almeida theatre a little while go, and really enjoyed it, so when I saw that he was appearing there again, I decided to book.

This time, rather than a take on an ancient Greek myth, the play was a new one, 'Against' by Christopher Shinn, which explores the issue of violence in society, how we respond to it, anf whether it can be changed.


Ben Whishaw and Emma D'Arcy CREDIT: JOHAN PERSSON
Whishaw plays Luke, a  Silicone Valley billionaire who has a revelation, believing he has heard the voice of god, and is called to "go where the violence is", leading him to visit the family of a school shooter, and a college campus where there has been a high profile rape (or rapes).

Its an intriguing idea, posing questions about violence in society is seen, and how we talk about it, and also about how the original, fairly simple idea which Luke has, of listening to people and giving them a space for their stories, becomes more complex.

There are some interesting (and uncomfortable) scenes with Kevin Harvey, as a college lecturer (and former sex worker), whose determination to stand up for the marginalised (sex workers, those in unconventional relationships) results in his being intolerant and bullying towards anyone who doesn't share his views, brow-beating his student, Anna (Emma D'Arcy) about the (thinly veiled autobiographical) short story she has written, to try to persuade her to change it to reflect his views, and  pushing Luke to disclose whether, and to what, he masturbates..

Harvey also appears as Jon, a friend of Luke's, and the founder and CEO of Eclipse, an Amazon-esque company where Luke plans to make his next announcement. (and there is a sub-plot, (which doesn't quite work), with Elliot Barnes-Worrell and Adele Leonce as a pair of low-wage workers at Eclipse.

It is a play which provokes thoughts and questions, but doesn't really offer any answers, and I did feel that the final scene, which introduces a totally new character, might have worked better had we met that person earlier in the play.

It was a very interesting play, with a strong cast. 

The performance I saw was the penultimate one, so it's now closed.