Saturday 3 February 2018

Julius Caesar at the Bridge Theatre

I enjoyed my first visit to the new Bridge Theatre, to see their opening production, Young Marx, in November, so was looking forward to going back for their first Shakespearean production, Julius Caesar, which features David Calder as Caesar, Ben Whishaw as Brutus, David Morrissey as Mark Antony, Adjoa Andoh as Casca and Michelle Fairley as Cassius. 

Which is quite an impressive cast, I think you'll agree!



For this production, the seating in the stalls has been removed, and the galleries extended to the 4th side of the theatre, creating an arena-style central area, where the audience members who had bought 'promenade' tickets were allowed to stand.

As we waited for the play to start, the promenaders were given the chance to buy nuts, and drinks, and badges and red baseball hats supporting caesar...


And in keeping with that, the production is in modern dress, and there's something worrying familiar about Mark Antony, particularly once he starts to make speeches...

I was curious about how the 'promenade' style would work, and how easy it would be to see the action, but it turned out that there were various 'blocks' which came up and down as and when needed, with the audience moving around them, which worked well both to keep the actors visible and also to take the place of scene changes.


Ben Whishaw's Brutus is presented as a liberal, intellectual man  - when we first see him at home he is seated at  desk with lots of books - I admit I was a little distracted trying to read the titles of his books (they included books about Franco and Hitler, that I could see),vehemently opposed to tyrants and nepotism, but unfortunately a bit short-sighted in dealing with others. 

Michelle Fairley makes an excellent Cassius, passionate and much more astute than Brutus -  shes' not an actor I am particularly familiar with but hers here is a stand out performance.

The promenade audience are showered with political flyers, with balloons, and follow the actors around the stage. It's very dramatic, and it must be amazing to be part of that (I'm considering going back to see it from that angle!) 



It's a superb and very timely production - well worth seeing. It's on at the Bridge until 15th April, and is being shown in cinemas via NTLive on 22nd March. (and presumably other dates internationally) I'm sure the filmed version won't be as stunning as being there in person, but it will be a lot better than not seeing it at all. Go if you can!

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