When I saw that
Andrew Scott (Moriarty from 'Sherlock') was going to be playing 'Hamlet' at the
Almeida Theatre, this Spring, with Juliet Stevenson as Gertrude, I couldn't not
try to get tickets. I didn't manage it directly, but my friend A did, which meant
that last night he and I fortified ourselves with an excellent Turkish meal
before heading to the Almeida.
This production
of the play is almost uncut, and is directed by Robert Icke, who was also
responsible for the horribly effective and chilling 1984.
It was very
interesting, and very different from the last couple of versions I have seen.
This iteration of the court of Denmark is modern, the stage divided by sliding
glass doors allowing to see behind the arras at times, the opening scene sees
Horatio and Marcellus spot the ghost on the bank of screens showing feeds from
security cameras, and updates such as Fortinbras's invasion are shown as news
reports (complete with Danish headlines running across the bottom of the
screen).
Andrew Scott's
Hamlet is not, for the most part, as maniacal as you might expect, from seeing his
Moriarty - from the outset, he came across as anxious and uncertain, constantly
fidgeting with his watch, and lacking in self-confidence. His soliloquies are
often conversational, and this is definitely a Hamlet in which the madness seems genuine rather than feigned.
Production Photo: Claudius, Hamlet and Gertrude |
Gertrude (Juliet Stevenson) and Claudius (Angus Wright) are passionate with one another, unable to keep their hands off each other, but I wasn't entirely convinced by Claudius-as-villain , except in the final poisoning scene.
I was left feeling a bit ambivalent about the production. I would quite like to see it a second time. But I found it interesting, and worth seeing.
Hamlet is at the Almeida until 15th April.
I was left feeling a bit ambivalent about the production. I would quite like to see it a second time. But I found it interesting, and worth seeing.
Hamlet is at the Almeida until 15th April.
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