This weekend has been much quieter than last. Which is probably just as well, as it has been a long and stressful week.
Highlights of the weekend included the Mowing of the Lawn (Friday evening), the Tesco Delivery - which is wonderful, as it means I have food in the house again. More importantly, I have 2 pints of Häagen-Dazs salted caramel ice-cream. Although probably not for long.
The Vacuuming of the Living Room (Saturday Afternoon), and Doing of The Laundry (Friday *and* Saturday).
I would have liked to manage a bit more sleep, but don't seem to have mastered the 'not waking up at crack of dawn' part of that. And, to be honest, am also a bit crap at the 'going to sleep when I go to bed' part, too.
I baked some cookies, and one of my Dad's cousins called in to see me, and the new house, this afternoon, and ate some of them.
Apparently I didn't win the office football sweepstake. Although as I had not really been paying much attention to the football I had not got my hopes up, so that was alright.
And there was a very nice sunset.
Sunday, 13 July 2014
Friday, 11 July 2014
Hedone (because it deserves a post of its own)
Having spent an enjoyable morning admiring art old and new,
we made our way to Chiswick, where Nathalie had booked lunch at Hedone, which
was recently classed as the 63rd Best Restaurant in the World, and which has
been awarded a Michelin Star.
First, there were the amuse bouches. I'm not sure that my
bouche was amused, but it was certainly happy. As it was when we were brought bread - simple, but perfect.
Then the official start of the meal, with slow cooked duck's egg, green peas, girolles and apricot.
Then Liquid Parmesan Ravioli, onion consomme, mild horseradish, smoked guanciale. It's hard to identify a favourite part of this meal, but if I have to, I think it might be the liquid parmesan ravioli. I don't know how you make make such a thing. Black magic, probably.
Did I mention that there was wine, too, with each of these lovely dishes? When we arrived at the main course, Slow cooked leg of Coucou de Rennes chicken, coco de Paimpol, confit tomato, we moved from white, to red wine. Perhaps that is why we were so easily seduced into adding a cheese course to our meal?
The cheese was gorgeous - I even enjoyed the Forme d'Ambert, and I don't usually like blue cheese.
Dessert was Oatmeal Parfait with Cherries and was perhaps the least successful of the dishes, as the cherries were chilled, and their full flavour didn't quite come through. Although it was still delicious.
The restaurant is owned and run by chef (and former lawyer
and food blogger) Mikael Jonsson.
I have to say, the man can cook.
I am not a food blogger. My review would be pretty much
"Oh my god. So good. More please"
So I shall mostly just post pictures, and you must use your imagination.
We were very restrained.
We didn't go for the full tasting menu, 'just' the 4 course lunch with wine pairing. Which was wonderful.
We were very restrained.
We didn't go for the full tasting menu, 'just' the 4 course lunch with wine pairing. Which was wonderful.
Then the official start of the meal, with slow cooked duck's egg, green peas, girolles and apricot.
Then Liquid Parmesan Ravioli, onion consomme, mild horseradish, smoked guanciale. It's hard to identify a favourite part of this meal, but if I have to, I think it might be the liquid parmesan ravioli. I don't know how you make make such a thing. Black magic, probably.
Did I mention that there was wine, too, with each of these lovely dishes? When we arrived at the main course, Slow cooked leg of Coucou de Rennes chicken, coco de Paimpol, confit tomato, we moved from white, to red wine. Perhaps that is why we were so easily seduced into adding a cheese course to our meal?
The cheese was gorgeous - I even enjoyed the Forme d'Ambert, and I don't usually like blue cheese.
Dessert was Oatmeal Parfait with Cherries and was perhaps the least successful of the dishes, as the cherries were chilled, and their full flavour didn't quite come through. Although it was still delicious.
A truly wonderful meal. (and one eaten in excellent company!)
Mikael Jonsson. |
I snoozed in the train all the way home, dreaming of glorious food.
Monday, 7 July 2014
What I Did in London (Part 4) More Art
After the fun on Friday, I had anticiapted that Saturday might feel like a bit of an anti-climax, but no.
Nathalie and I had talked about returning to the Barbican, to go round the rest of the J-P Gaultier exhibit, but when we realised that it didn't open until 11 we made other plans, and went to the Courtauld Gallery at Somerset House instead, first to see the 'Tattoo Art Today', which features artworks in various media, commissioned by the exhibition from 70 different tattoo artists.
There were no tattoos.
The exhibition was about the artists showing their skills using paint, sculpture, photography etc, with the theme of 'Time' tying them together.
It' not a big exhibit, but it's interesting (and free!)
We then went on to look at the rest of the Courtauld Gallery's collection, including their current exhibition, 'Bruegel to Freud, prints from the Courtauld Collection'.
I particularly liked this piece by Richard Long, in the 20th Century British Art gallery.
(The Van Gogh, and the Gaugins and Renoirs are quite nice, too)
I also found the peacock-winged guitar-playing 14th Century Angel rather appealing, too.
And of course, the building itself is very impressive. I enjoyed the staircase..
And so - onwards, for we had lunch to eat, and that deserves an entire post of it's own...
Nathalie and I had talked about returning to the Barbican, to go round the rest of the J-P Gaultier exhibit, but when we realised that it didn't open until 11 we made other plans, and went to the Courtauld Gallery at Somerset House instead, first to see the 'Tattoo Art Today', which features artworks in various media, commissioned by the exhibition from 70 different tattoo artists.
There were no tattoos.
River Avon Mud Hand Spiral (1984) |
The exhibition was about the artists showing their skills using paint, sculpture, photography etc, with the theme of 'Time' tying them together.
It' not a big exhibit, but it's interesting (and free!)
We then went on to look at the rest of the Courtauld Gallery's collection, including their current exhibition, 'Bruegel to Freud, prints from the Courtauld Collection'.
I particularly liked this piece by Richard Long, in the 20th Century British Art gallery.
(The Van Gogh, and the Gaugins and Renoirs are quite nice, too)
I also found the peacock-winged guitar-playing 14th Century Angel rather appealing, too.
And of course, the building itself is very impressive. I enjoyed the staircase..
And so - onwards, for we had lunch to eat, and that deserves an entire post of it's own...
Sunday, 6 July 2014
What I Did In London (Part 3) Truth and Fourplay
As you'll have seen from the last 2 posts, I had a lot of fun on Friday in London, but the actual reason for which I went was to meet up with Nathalie and Alex, and to see Neil Gaiman reading 'The Truth is a Cave in the Black Mountains', accompanied by live music from the FourPlay string Quartet and illustrations from Eddie Campbell.
Nathalie had succeeded in getting front row tickets, so we had an excellent view. The show was sold out, (although I noticed that the seats behind us remained empty all evening, which made me sad, as I'm sure there were people who'd have loved them, and didn't get tickets)
Fourplay came on (bringing with them 2 violas, one violin and a cello) and started the evening with their version of the Doctor Who theme, (which, frankly, I think the BBC should pick up on and use for the new season)
They then played two other pieces, (I was enjoying myself too much to make notes of the titles, but I've bought a couple of their CDs so I should be able to hear them again!)
And then they introduced Neil,who was wearing a beautiful deep red waistcoat as well as his usual black. Very fetching!
He read us 'The Day Saucers Came' and a story called 'Adventures', and also sang 'I Google You' (with additional lines about Vine!)
During the interval, was able to buy a copy of 'The Truth is a Cave in the Black Mountains' , signed by both Neil and Eddie, and met another friend, Maggie.
In the second half of the evening, Neil read 'The Truth is a Cave in the Black Mountains' while Eddie Campbell's illustrations were projected behind him, and Fourplay provided musical accompaniment. Of course, this is not the first time that I have had the luck of seeing Neil read with music and other participation (that honour goes to the Fortunately, the Milk event, last October.) This was very different, except that both show how much fun having Neil read to you can be, and how much other artists and performers can add to the experience!
The story originally appeared in the anthology Stories, by the way (if you don't have a copy, go get one. Lots of great stories by lots of different writers. And get a copy of the new, illustrated version of the story, too ).
And it is tragic and chilling and oh so very, very good. Particularly with Art, and a String Quartet.
Once the story was over, both Hayley and Eddie Campbell joined Neil on stage, and threatened strange and terrible revenge for the killing of a number of Campbell's in the story. (I do hope Neil makes it through the Scottish performance. I find it a little ominous that it's billed as the very last. . . . .)
And then, as he was concerned that the tale might have left us a little down, and that it was a little lacking in feelings of warm fuzziness, hugs and bunnies, he decided to sing us a cheering and uplifting song, so that we could all leave light-heartedly.
It is possible that they may be better songs to achieve this aim, than Psycho. (which, I have to say, is scarier when sung with the backing of a string quartet, than with a ukulele. Or it is if you are in the front row)
It's just as well that my walk back to the hotel was only a few minutes long. And well lit.
(there are a few more pictures on Flickr )
FourPlay |
Fourplay came on (bringing with them 2 violas, one violin and a cello) and started the evening with their version of the Doctor Who theme, (which, frankly, I think the BBC should pick up on and use for the new season)
Neil |
And then they introduced Neil,who was wearing a beautiful deep red waistcoat as well as his usual black. Very fetching!
He read us 'The Day Saucers Came' and a story called 'Adventures', and also sang 'I Google You' (with additional lines about Vine!)
During the interval, was able to buy a copy of 'The Truth is a Cave in the Black Mountains' , signed by both Neil and Eddie, and met another friend, Maggie.
In the second half of the evening, Neil read 'The Truth is a Cave in the Black Mountains' while Eddie Campbell's illustrations were projected behind him, and Fourplay provided musical accompaniment. Of course, this is not the first time that I have had the luck of seeing Neil read with music and other participation (that honour goes to the Fortunately, the Milk event, last October.) This was very different, except that both show how much fun having Neil read to you can be, and how much other artists and performers can add to the experience!
The story originally appeared in the anthology Stories, by the way (if you don't have a copy, go get one. Lots of great stories by lots of different writers. And get a copy of the new, illustrated version of the story, too ).
Hayley and Eddie Campbell |
And it is tragic and chilling and oh so very, very good. Particularly with Art, and a String Quartet.
Once the story was over, both Hayley and Eddie Campbell joined Neil on stage, and threatened strange and terrible revenge for the killing of a number of Campbell's in the story. (I do hope Neil makes it through the Scottish performance. I find it a little ominous that it's billed as the very last. . . . .)
And then, as he was concerned that the tale might have left us a little down, and that it was a little lacking in feelings of warm fuzziness, hugs and bunnies, he decided to sing us a cheering and uplifting song, so that we could all leave light-heartedly.
It is possible that they may be better songs to achieve this aim, than Psycho. (which, I have to say, is scarier when sung with the backing of a string quartet, than with a ukulele. Or it is if you are in the front row)
It's just as well that my walk back to the hotel was only a few minutes long. And well lit.
(there are a few more pictures on Flickr )
What I Did in London (Part 2) : Art and Couture
Yesterday was, according to the BBC (who, I feel sure, checked) the hottest day of the year so far, and when I left the Tate it certainly felt like it, particularly after walking along by the Thames, and taking the moving sauna tube, so I decided to head back to my hotel to change, and freshen up, before heading to the Barbican.
Just before I got to the hotel, I saw a couple of people walking in the opposite direction, and thought vaguely 'that bloke looks a bit like Neil'. Then they got closer, and I realised it was Neil! And Hayley Campbell. Which was a nice surprise. And encouraging, as it seemed to suggest that the evening's show would be happening!
We said hello, and Neil introduced me to Hayley, who I haven't met before (although we've tweeted) then they went on (presumably to the Barbican, for sound checks and things) and I went on to my hotel, where I looked in a mirror and realised that I was in even more of a dire need for a shower and change of clothes that I'd thought :( (although I suppose it proves it really happened. If I imagined bumping into Neil & Hayley by chance I'd have imagined myself looking cool and collected, not scruffy and sweaty)
Once I was feeling, and looking, a little more human (thank you, rainfall shower!) I walked back to the Barbican, and went to their 'Digital Revolution' exhibition, which was fascinating.
There are various old video games, from Pong onward, to try, and then some glorious pieces of interactive digital art.
My favourite was Chris Milk's The Treachery Of Sanctuary, which allows you to become a flock of birds, or to grow wings. Beautiful and haunting.
I didn't have time the whole exhibition, and may try to make time to go back, if I am in London again before it ends in mid-September.
I then met up with Nathalie, and we looked around the second of the exhibitions at the Barbican; The Fashion World of Jean-Paul Gaultier.
Nathalie's glorious new hat fitted right in!
There were lots of amazing clothes - and many of the mannequins wearing them had faces projected onto their blank faces, so that they blink, or appeared to speak, as you pass. There is also a mannequin dressed as JPG himself, in striped jersey and kilt, speaking in French and English about the exhibits..
We didn't have time to view all of the exhibition as we had a dinner reservation at one of the Barbican's restaurants. I would like to go back to see the rest, if I have time. . .
However, despite having to leave the exhibition before we'd seen it all, it was good to be able to sit down, and talk, and eat.
(although despite eating in 'The Gin Joint' we didn't actually try any of their many gins... there wasn't time for cocktails after we had finished eating..!)
All great fun, and we have not even reached the main event of the day, yet!
Just before I got to the hotel, I saw a couple of people walking in the opposite direction, and thought vaguely 'that bloke looks a bit like Neil'. Then they got closer, and I realised it was Neil! And Hayley Campbell. Which was a nice surprise. And encouraging, as it seemed to suggest that the evening's show would be happening!
We said hello, and Neil introduced me to Hayley, who I haven't met before (although we've tweeted) then they went on (presumably to the Barbican, for sound checks and things) and I went on to my hotel, where I looked in a mirror and realised that I was in even more of a dire need for a shower and change of clothes that I'd thought :( (although I suppose it proves it really happened. If I imagined bumping into Neil & Hayley by chance I'd have imagined myself looking cool and collected, not scruffy and sweaty)
Once I was feeling, and looking, a little more human (thank you, rainfall shower!) I walked back to the Barbican, and went to their 'Digital Revolution' exhibition, which was fascinating.
There are various old video games, from Pong onward, to try, and then some glorious pieces of interactive digital art.
My favourite was Chris Milk's The Treachery Of Sanctuary, which allows you to become a flock of birds, or to grow wings. Beautiful and haunting.
I didn't have time the whole exhibition, and may try to make time to go back, if I am in London again before it ends in mid-September.
I then met up with Nathalie, and we looked around the second of the exhibitions at the Barbican; The Fashion World of Jean-Paul Gaultier.
Nathalie's hat, and Jean-Paul Gaultier's |
There were lots of amazing clothes - and many of the mannequins wearing them had faces projected onto their blank faces, so that they blink, or appeared to speak, as you pass. There is also a mannequin dressed as JPG himself, in striped jersey and kilt, speaking in French and English about the exhibits..
We didn't have time to view all of the exhibition as we had a dinner reservation at one of the Barbican's restaurants. I would like to go back to see the rest, if I have time. . .
However, despite having to leave the exhibition before we'd seen it all, it was good to be able to sit down, and talk, and eat.
(although despite eating in 'The Gin Joint' we didn't actually try any of their many gins... there wasn't time for cocktails after we had finished eating..!)
All great fun, and we have not even reached the main event of the day, yet!
Saturday, 5 July 2014
What I Did in London (Part 1)
I travelled up to London yesterday morning, to meet up with N and A and to see Neil Gaiman at the Barbican.
The day started with a good omen - at Chippenham, all of us in the quiet coach were told we would have to move, due to a fault with the door lock. Which would have been annoying, except that they moved us all to 1st class. Which was nice. It did amuse me that after we'd all moved, the conductor made an announcement, apologising for the delay and inconvenience, and then apologising specifically to the 1st class passengers for the [long pause] inconvenience. Poor 1st class passengers, being invaded by the common herd!
Once arrived in London, I checked into my hotel before heading over to Tate Modern to see the Matisse Exhibition
I enjoyed it. I'm fairly familiar with his blue dancers, but there were lots of other pieces which I didn't know, including stained glass (and studies for other windows) and 'Oceania', which Matisse had on his own studio walls.
I was also pleasantly surprised that the exhibition was not overcrowded, unlike other exhibitions I've seen recently!
After seeing the Matisse, I also wandered through some of the other galleries, getting my fill of surrealists.
Turns out that the Tate has some rather nice pictures. I haven't been for a while, and I tend to forget, between visits.
There are also some nice views from outside the gallery.
I always rather enjoy the fact that you get Tower Bridge, and the Shard, and the Globe, all in one relatively small piece of skyline!.
The day started with a good omen - at Chippenham, all of us in the quiet coach were told we would have to move, due to a fault with the door lock. Which would have been annoying, except that they moved us all to 1st class. Which was nice. It did amuse me that after we'd all moved, the conductor made an announcement, apologising for the delay and inconvenience, and then apologising specifically to the 1st class passengers for the [long pause] inconvenience. Poor 1st class passengers, being invaded by the common herd!
Once arrived in London, I checked into my hotel before heading over to Tate Modern to see the Matisse Exhibition
I enjoyed it. I'm fairly familiar with his blue dancers, but there were lots of other pieces which I didn't know, including stained glass (and studies for other windows) and 'Oceania', which Matisse had on his own studio walls.
Celebes (Max Ernst) |
After seeing the Matisse, I also wandered through some of the other galleries, getting my fill of surrealists.
Turns out that the Tate has some rather nice pictures. I haven't been for a while, and I tend to forget, between visits.
There are also some nice views from outside the gallery.
I always rather enjoy the fact that you get Tower Bridge, and the Shard, and the Globe, all in one relatively small piece of skyline!.
Friday, 4 July 2014
The Pleasures of anticipatation
This weekend is going to be fun. It will include friends, food, Matisse, Neil Gaiman, and probably some other art, too.
Hopefully, it will not include any delays or other transport problems.
I'm pretty sure there will be extensive blogging and photos, once I'm home.
Hopefully, it will not include any delays or other transport problems.
I'm pretty sure there will be extensive blogging and photos, once I'm home.
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