The exhibition is not big, but it is very interesting, and has some beautiful artifacts and art, and it appeared to me that the curators had tried very hard to ensure that the exhibition was presented in a way which was respectful of the indigenous Australian's culture and history, including details of how they were treated by the British Colonists and Australian Government, although there were a few odd phrases... for instance, referring to the lack if recognition of Indigenous People's rights to / occupation of Australia as a 'mistake' and a 'misunderstanding' seemed a little odd - not least because it implies that the country would not have been Colonized had Cook and his successors understood more, which, baring in mind British Colonial Expansion in the 18th and 19th Centuries seems a bit unlikely!
But over all I enjoyed the exhibition, learned things I didn't know before, and would encourage anyone likely to be in London to see it.
I am not a big fan of the elaborate gold / gilt tableware, although the workmanship is amazing, but the various jewels are beautiful, and fun - I rather liked this little ram. I should be happy to give it a home, if the Museum should suddenly decide to start rehoming its art!
After that, we had a very pleasant Chinese meal before heading over to the Globe to see King John.
I have never seen the play before, and deliberately decided not to read it before seeing it, although of course I am broadly familiar with the history. It isn't performed very often(this is, I think, the first time the Globe has done it) and I did wonder whether there was good reason for that, and that it perhaps isn't one of William's best.
I need not have worried. It was excellent, with a very strong cast. I enjoyed it immensely, and there were a surprising number of funny moments, among the battles and deaths and betrayals.
King John was played by Jo Stone-Fewings, (who played Buckingham in the production of Richard III I saw at Trafalgar Studios last year). His John was initially gleeful (the play started with his coronation, during which there was a plainsong setting of 'Zadok the Priest')
Alex Waldmann, as 'the Bastard' had, in some respects, the biggest role, and seemed to have a good deal of fun with it, and left the distinct impression that had the play continued much longer, John might have discovered he had a usurper on his hands...
The rest of the cast was equally strong. Tanya Moodie's Constance seemed, at first, to be pushing her son (Prince Arthur)'s claims for political reasons, arguing her (his) case, but as the play progressed and Arthur was captured by King John, she was the bereft and mourning mother, a picture of grief.
I don't think there was a single weak link in the cast,
Although I had not realised it in advance (perhaps because it wasn't me that booked the tickets, the performance we saw was the last in the run, so after the play ended there was a brief speech from Artistic Director Domenic Dromgoole, followed by the cast throwing roses ito the crowd. (with a special cheer for (I think) Giles Terera who managed, at the third attempt, to get a rose up into the gallery!
It was a great evening, and I'm really glad that I got to see the play. Seeing it at the Globe was an extra bonus, and even a minor train issue on the way back didn't dampen our enjoyment!